“You can’t argue with the bereaved.” says a character in THE KEEPER, qualifying a reluctance to reconciliation and forgiveness.

Based on an incredible true story, THE KEEPER follows Bert Trautmann, a German prisoner of war incarcerated in England at the end of World War II whose exceptional skills on the soccer field get him noticed by Jack Friar, the manager of a local football team.

Impressed by Bert’s prowess as a goal-keeper, Jack gets him out of the prison camp to play for his team, giving him day work in his grocery shop. It is here that a love slowly blossoms between Jack’s daughter, Margaret, and Bert, despite local hostility that a Hun, recent enemy of the state, is allowed freedoms after the fire bombing of local towns.

In addition to the disapproval of his relationship, Bert’s subsequent signing by Manchester City brings passionate protests from the people of Manchester, a city that had been severely bombed in the War, increasing the volatility.

However, against these odds, Bert wins over even his harshest critics during the FA Cup Final for Manchester City in 1956, securing victory and illustrating the great leveller winning is.

According to the film’s director, Marcus H. Rosenmüller, THE KEEPER is an obvious film in many ways- The former enemy becomes the hero of a nation: a unique sportsman exemplifies what sport can contribute to the reconciliation of hostile countries.

David Kross makes a compelling Bert Trautmann, blessed with archetypal Aryan good looks and agility, perfectly matched with Freya Mavor as the firecracker feisty Margaret, the grocer’s daughter who who gives him succour above and beyond soccer.

John Henshaw is terrific as Jack Friar, the local footy coach who sets the whole ball rolling kicking sure footed comedic and dramatic goals throughout.

Films fervent about reconciliation that embrace going forward – not forgetting but forgiving- are to be cherished. This one’s a keeper.