Tag Archives: What’s In A Name?

WHAT’S IN A NAME?

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What’s in a name? A rose by any other would smell as sweet. Call a spade a spade but you’ll still shovel shit if you pick a name that digs up contentious connotations.

In western culture, names such as Jesus, Atilla, Adolph, and Osama are eschewed from birth registers, but more mundane reasons are raised among family and friends at the imminent patter of tiny feet, where naming rights can produce near riot.

Appellations of those who are unliked from the past or the present, or carry with them some sort of high falutin’ allusion or pretention is the most likely impediments to nixing a moniker.

When Forty-something father to be Vincent announces to his family the nomenclature of his unborn son he figuratively flings that shovelful at the fan.

What should have been a civil celebratory occasion devolves into a dinner where the stable door of secrets is left so far ajar that the stampede of revelations seal the deal of unable to conceal.

Based on a super successful stage play, WHAT’S IN A NAME? (LE PRONOM) makes for a marvelous movie where the comedy has sparkle and bite and the story’s spine has a vertebrae full of funny bones with slipped dramatic discs.

Blessed with a fine ensemble cast that relish in spitfire delivery and comedic timing, WHAT’S IN A NAME is reminiscent of the golden age of comedy where character and situation combine to power the turbine of intelligent entertainment.

What’s in a name turns into what’s in a joke and at whose expense as this clever comedy illustrates the thin line between social decorum and civil disintegration.

Marie Cheminal’s production design is exquisite. Almost all the action of the film takes place in an apartment and it looks and feels so real, so lived in that it’s a marvel – so marvellous and fully dimensional that it becomes a key character in the film.

From the opening credits where all the collaborators are identified by their first names only through to its colossal conclusion, this fabulous film is a joy to the ear and the eye.

Written for the screen and directed by MATTHIEU DELAPORTE & ALEXANDRE DE LA PATELLIÈRE from their original stage play, WHAT’S IN A NAME? is arguably the best comedy to grace our screens since Roman Polanksi’s CARNAGE.