Tag Archives: Timofej Andrijashenko

Palace Opera and Ballet La Scala Ballet in Sleeping Beauty


The La Scala Ballet has revived Nureyev’s version of THE SLEEPING BEAUTY , created in 1966 and last seen twelve years ago.
While the dancing was superb, and it is a lavish , extremely opulent production , this reviewer was rather disappointed. It is absolutely crammed full with excessive numbers of dancers at times and the gilded ornate set design is at times way overdone , heavily Baroque . The sumptuous costumes also by Franca Squarciapino ) are at times perhaps a trifle over fussy at times , but in some ways you can see how it is a tribute to Nureyev’s Russian back ground and the traditions of the Marinksy .Aurora’s shell like cradle in the prologue is transformed into her bed in act2 where she sleeps for a century.
Under the energetic and enthusiastic baton of Felix Korobov the Orchestra was in rich, lush form .

Nureyev remained true to the ‘traditional ‘ Petipa choreography but , Rudi being Rudi , also adding some very demanding extra segments for Desire.For the huge corps de ballet scenes ( the ‘garland waltz ‘ etc ) there are crisp , precise many layers of criss- crossing , entwining patterns of choreography.

The fairies -with their cavaliers , and numerous attendants – were very good but not really that especially remarkable. The ‘canary fairy’ in yellow hovered beautifully and ‘finger fairy’ who twinkled enchantingly were perhaps the most noticeable.

Polina Semionova as Aurora was ravishing .Her opening solos etc in Act 1 were radiant and the Rose Adagio was excellently done with rock solid balances . And she glows in Act 3. (Speaking of the Rose Adagio it is sad that Carabosse malevolently kills all four princes.)

Our Prince Desire, Timofej Andrijashenko was jaw dropping .Tall , blonde and handsome he was magnificent , niftily dealing with all the demanding double tours , jetes etc with great panache , and a gallant partner.
Both had a glorious clean ‘ line’ .The Grand pas de deux at the end with the fish dives etc was regal and polished yet also very tender and joyous.

Carabosse the evil fairy was spitefully , malevolently played by Beatrice Carbone , sinister in black.No Her first angry entrance wasn”t really scary .( No dramatic appearance with a flash crash and puff of smoke or anything. and her attendant creatures however were not really menacing.( No dramatic appearance with a flash crash and puff of smoke or anything.)

What is also interesting is that the Lilac Fairy (Emanuela Montanari ) wears a long frock rather than atutu .While she radiates warmth and charm , it does feel rather odd.The confrontation between the two powerful fairies is rather limp , and Carabosse sort of collapses and dies ( ?) but not really dramatically.

With regards to the third act (aka ‘ Aurora’s Wedding’ ) with the fairytale characters … the BlueBird pas de deux was wonderfully danced .The cats however reminded me more of Mungojerrie and Rumpleteazer from the musical Cats.Interestingly there were no ‘Three Ivans’ or Red Riding Hood and the Wolf as there often are.

Riccardo Massimi as fussy, nitpciking court chamberlain Catalabutte , in red was terrific .

A sumptuous overly rich and crowded production fabulously danced.

The La Scala Ballet in Sleeping Beauty screens at selected cinemas as part of the Palace Opera and Ballet Season 25-30 October 2019
Running time : roughly 2hours 45 minutes no interval


For I am a Pirate King! 
Hurrah for our Pirate King! 
And it is, it is a glorious thing
To be a Pirate King. 

Sorry , but I just had to start with the above from Gilbert & Sullivan’s Pirates of Penzance. Conrad our hero is a pirate and at times you could just imagine him and his band of followers singing this .

This is La Scala’s first staging of LE CORSAIR since the 19th century, where Giovanni Galzerani’s production was presented on the Piermarini stage in 1826, and Domenico Ronzani’s in 1857. Based on ‘The Corsair‘ by Lord Byron, the narrative follows a dashingly handsome pirate, Conrad (Timofej Andrijashenko), as he journeys across the high seas to save his love, the beautiful harem slave Medora (Nicoletta Manni).The work is packed with passion, action and romance. The antiquated ballet LE CORSAIR has an absolutely ridiculous plot but is a fabulous example of nineteenth century Russian ballet glitz and glamour, an excuse to showcase bravura spectacular dancing , and the dancing in this production is absolutely incredible , totally jaw dropping at times . Continue reading LA SCALA – BALLET LE CORSAIRE: THRILLINGLY TRADITIONAL