Tag Archives: Timo –Veikko Valve

SELBY AND FRIENDS : LOVE AND DEVOTION @ CITY RECITAL HALL

This concert explores the music of Clara and Robert Schumann and their devoted friend, Johannes Brahms.

ACO principal cellist, Timo-Veikko Valve and virtuoso young Australian violinist Grace Clifford join Artistic Director/pianist Kathryn Selby, AM for a program of great Romantic Piano Trios and a special duo to celebrate the 200th birthday of Clara Schumann.

This program encapsulates the powerful story of 3 giants of the classical music world whose love and friendship has fascinated us to this day.

DATE FOR  THE DIARY
Tuesday 7 May at the City Recital Hall, 2-12 Angel Place, Sydney

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TRANSFORMING STRAUSS AND MOZART – AUSTRALIAN CHAMBER ORCHESTRA

This particular concert by the ACO, as curated by cellist Timo-Veikko Valve,  with various arrangements for a string septet , developed themes expressing desire and aching loss spanning centuries .

The first half began with DOWLAND’s exquisite ,refined and flowing Lachrimæ Antiquæ a variation on his much loved  Lachrymae pavane. It was pure but cold with intensely woven harmonies .

WAGNER’s (arr. Sebastian Gürtler) romantic, swirling, passionate Prelude to Tristan und Isolde came next with its lush multilayered opening , use of portamento (sliding the finger to glide from one pitch to another shimmering fluttering strings and delicate cello all full of rich tension . Continue reading TRANSFORMING STRAUSS AND MOZART – AUSTRALIAN CHAMBER ORCHESTRA

AUSTRALIAN CHAMBER ORCHESTRA : INTIMATE MOZART @ CITY RECITAL HALL

Intimate Mozart indeed. This was a ravishing concert full of superb playing.

The concert was  a small scale recital, the ACO being represented by Artistic Director Richard Tognetti and three featured principals: second violinist Helena Rathbone, cellist Timo-Veikko Valve, and guest viola player Florian Peelman.

Kristian Bezuidenhout was the amazing soloist on piano. Born in South Africa, raised in Australia, educated in the US and now a resident of the UK, pianist, Bezuidenhout is regarded as one of the world’s leading performers of Mozart. (Since 2009, he has been recording the complete keyboard music of Mozart). Continue reading AUSTRALIAN CHAMBER ORCHESTRA : INTIMATE MOZART @ CITY RECITAL HALL

ACO SOLOISTS TAKE CENTRE STAGE @ CITY RECITAL HALL

This very exciting concert blended world premieres and nineteenth century Romanticism in a program of six relatively short works.

The program featured performances by three soloists – violinists Satu Vanska and Glenn Christensen and cellist Timo-Veikko Valve.

Ruth Crawford Seeger’s Andante (for her 1931 String Quartet) opened the concert. It began slowly almost eerily with sharp, spiky, dissonant, shimmering strings. The piece was intense and atmospheric and filled with moments of calm and jarring disharmony. The ACO’s renowned precision for detail was on show in terms of phrasing, articulation and the ability to keep body movement to a minimum.

Vivaldi’s Concerto in G minor for two violins and cello with a glittering, crisp and precise performance displayed the ACO’s ability to be vigorous and exact, particularly in the opening movement. After a soft, rather tentative and slow start, the piece turned into something quite  tempestuous, though one section sounded like delicate raindrops. Continue reading ACO SOLOISTS TAKE CENTRE STAGE @ CITY RECITAL HALL

ACO: Tognetti’s Beethoven

Richard Tognetti and Jonny Greenwood. Pic Lisa Tomasetti
Inset pic-Richard Tognetti and Jonny Greenwood. (c) Lisa Tomasetti. Featured pic- The maestro with violin in hand, Richard Tognetti (c) Simon Van Boxtel

Those of us lucky enough to be in the audience for this concert were treated to an angelic aural feast. Led by Tognetti and with featured soloists Timo –Veikko Valve on cello and Yevgeny Sudbin on piano the Australian Chamber Orchestra (ACO) played sublimely.

As others of my colleagues have remarked this concert could be subtitled, ‘In the key of C’.  Most of the program was heavenly, ravishing music by Beethoven but it also included the Australian premiere of Jonny Greenwood’s Water. Tognetti conducted dynamically and enthusiastically when not performing solo on the violin. The Orchestra was supplemented where required with extra orchestral members , meaning we heard a full wind section, brass and timpani. Continue reading ACO: Tognetti’s Beethoven