Two directors – who to praise, who to blame?
Three writers, likewise, who to praise, who to blame?
Three performers all credited with writing the show. It’s a three way split and the divergence is palpable.
Play opens with an unnecessary solo spot from Hope (Sarah Hodgetts) desperately trying to contact someone via mobile phone.
Lights up on a motel room at the Gandiddyup Motor Inn, a strangely decorated abode which includes a photo portrait of Joe Dolce – apparently he once slept here – and a painting of what looks like Al Pacino, a telegraph to Scarface style shenanigans that litter the narrative.