Fascinating savage slice of political and social commentary via comedy, with generous surreal dialogue, provides violence bordering on farce. Exhilarating murder-thriller romp, satirical comedy equally filled with both wit and wisdom, and delivers unexpected twist after twist, and absolutely packed with riveting humour. Fascinating and intriguing theatrical experience, often profound and beautifully fluent acting, the story unfolds with great wit and superlative comic timing.
Two reality television stars, the husband and the wife, together they are the perfect married team when on television. However they are both actors reading their lines and faking it. Their televised married life is not real, every word spoken is written for them.
I had a quick bite before seeing MOTHER CLAP’S MOLLY HOUSE in Newtown last night, and the meal was, sadly, disappointing. The best I could say for it was that it was warm and filling. Unfortunately, on a scale of one to fabulous, MOTHER CLAP’S MOLLY HOUSE, a play with songs by Mark Ravenhill and music by Matthew Scott, didn’t even get to warm and filling. Much too long, uninspired writing and equally mundane musical numbers and choreography made this promising play a bit of a dud.
When Mrs Tull’s husband dies and she is left in charge of their dress hire shop, she overcomes her self-doubt to continue on with business as usual. Business is conducted with the local whores, but looks to go downhill almost immediately, until she finds her apprentice Martin and some other blokes playing dress-ups in the skirts. She quickly realises that she can still make a buck, setting up a male brothel, the Molly House of the title. Continue reading Mother Clap’s Molly House @ The New→
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