This Australian premiere production is a co-production involving Quiptake, Pandemic Theatre and the Theatre Centre, Canada. DAUGHTER, written and performed by Adam Lazarus and directed by Ann-Marie Kerr, is a collaboration uniting the three organisations’ shared values of complex, challenging and aesthetically driven critical performance to provoke and hold space for civil discourse.
So here we are. In the middle of #metoo and mens whiny #methree, cos they don’t want to miss out. Because really they don’t understand. Adam Lazarus in developing this piece of theatre with his training and background in the ‘buffon king’ and hailed as Toronto’s favourite nasty clown; has taken us down a very ugly nasty road upon which he declares we have all travelled – or indeed travel still. The Bouffon, or clown, the fool of Shakespeare’s Lear, are all a little too blunt and too honest and too real. Too real to be believed. Yet Lazarus takes us on this inane and simple journey of real truths. His truths. Credible and funny and relatable. Then he gives a little slap or a digging in the ribs hard nudge. Too hard and too fast. No that is not “us”, we would never, could never. No don’t do that, don’t say that – we gasp and wince and scrunch our faces in distaste. One man near the front leaves. The two women in front of me whisper and give each other looks, then they too exit.
So yes, the subject matter is intense. Grotesqueries and extraordinary experiences are Adam’s themes of choice. Yet he relay’s them in such a way, teasing his audience along. “You’ve done that? You know exactly what I mean?” Then quickly singling out someone with a deliberate finger point or a look and making it clear we are all in on it. Been there done that. But we haven’t. I haven’t. I can’t even stomach the ideas. Who near me can? I wonder. Fleetingly. Inside I ‘know’ this is theatre but Adam is telling a real story isn’t he. His story. I think. I don’t like it. I don’t like him. Continue reading DAUGHTER : CONFRONTING THEATRE AT ITS SHARPEST