Tag Archives: SIMONE READ

TRAFFIC JAM GALLERIES SEPTEMBER 2021 : SIMONE READ and REBECCA PIERCE

SIMONE READ: REMEMBER THE WILD

Simone Read’s REMEMBER THE WILD is one of two exhibitions currently online to view at the Traffic Jam Galleries.

In her work Read celebrates the glory of Australian trees, their beauty, colour and texture. Some of the works are also accompanied by a poem/quote of a song from for example Judith Wright, John Williamson and Peter Allen.

Read uses a variety of materials to produce some stunning works. First we see ink and gouache on canvas – Snowgum is exquisitely, delicately textured in hushed pinks and greys.The swirling mass of the bark is controlled by the strong diagonal line. 

Old Euc in its neutral greys and browns is a delightful portrait in a strong vertical composition of a tree that is in Read’s back yard.

Scribbly Gum celebrates the mysterious link between tree and moth, with delicate flourishes of  the ‘scribbles’. Read says the moth is sort of like an anonymous graffiti artist. Continue reading TRAFFIC JAM GALLERIES SEPTEMBER 2021 : SIMONE READ and REBECCA PIERCE

TRAFFIC JAM GALLERIES : COASTAL : WORKS BY REBECCA PIERCE AND SIMONE READ

The latest exciting exhibition at Traffic Jam Galleries, entitled COASTAL , showcases the works of Rebecca Pierce and Simone Read. It includes not just the obvious that the title conjures up, but the mood, freedom, optimism and spirit often associated with living by the Australian coast.

Rebecca Pierce uses mixed media including acrylic impasto , inks , resin and objet trouve’ ( found objects ) applied most enthusiastically via pallet knife, which creates at times a very thick surface texture and are often brightly coloured. Her works in this exhibition, like that of Read, focus on the Australian coast and recall days in the sun.

Still Life with Coffee (acrylic on canvas) is an explosively powerful, dazzlingly coloured heavily textured depiction of a vase of flowers with coffee spilt ( or is it a shadow? on the surface of the table underneath the vase.

The diptych 2020 Social Distancing 101 is a delightful aerial view of a beach depicting people sunbaking on the beach, but somewhat separated (or are they?). Two linked pieces , Day Dreaming : Field of Flowers and In The Moonlight are included . Look for the butterflies .There are subtle changes like a Monet series of aquatic plants , showing the difference between day and night.

‘Outback Confetti is in some ways similar to these two pieces, a riot of colourful flowers against a rocky background.

Lily and Lotus is set on a green background, the composition dominated by flowers and petals with a circular lotus pool included.

The diptych Measure and Frame is a highly textured volcanically red and energetic work with a vertical composition.

Another diptych Half Baked on Australia Day is an aerial view of people at the beach with objects scattered around them.

Dipped in Sunshine is another beach painting – note the umbrellas defining the correct safe area to swim in and the turbulent surf.”

Beach Towel 2-6 are abstract aerial views of a beach and people sunbaking.

Beach Square 1 and Beach Cakes 1,2,3,6 and 9 are detailed close ups of aerial views of people and items at the beach  Then comes a series of vibrant cocky birds against a mustard background.  Beach Bird 1-6
Another avian series is Blue 1-8 , a beautiful series of bird portraits , spot the attention to detail with all the different markings.

More bird portraits follow in the vibrant Tropical Super Chirper , Tutti Frutti Sprinter and Serenity in the Rose Garden.

There is a delightful triptych of flowers on stems pushing to the top of the composition, pale blue in colour and with lots of butterflies – Day Dreams Iced Gelato 1, 2 and 3 .

Two brightly colourful sculptures are also included , alluding to the problem of litter in the environment and climate change – Lost in the Cloud 11 and Eau de Rubbish.

And then there is a vibrant, very energetic, pair of paintings Field of Flowers : Big Sky and Daybreak 2 , vertical compositions , bright,  colourful and thickly textured flowers and their green stalks.

Simone Read’s work of identifiable aerial beachscapes and sea pools documents Australia’s ever changing coast line and also links to a great sense of nostalgia- we might have stayed at that particular place in our childhood or seen the sea or coast for the first time there.

Read paints with ink, gouache and rock salts , observing from an aerial point of view .The works in this exhibition include many pieces that focus on the areas affected by the devastating bushfires that recently overwhelmed Australia .Read’s colour palette blends a building up of tiny details attempting to capture the ferocious energy and movement of the elements forming the Australian coast .There is a glorious sense of texture throughout.

In her Mornington Peninsula you can see the contrast between land and sea, feel the sand , rocks and water.
With Mona Vale Ocean Pool , which is almost abstract , there is an aerial view clearly depicting the two pools.

The coastal erosion, stormy seas and pounding waves are depicted in Hyams Beach .

Balmoral 11 is a striking vertical composition, where you can see the division between land and sea.
Magnificent textures and the curling, twisting composition of Walk With Fire explores land and water.

Catch the exhibition while you can.

Rebecca Pierce and Simone Read
https://www.trafficjamgalleries.com/current-exhibition
‘Coastal ‘runs at the Traffic Jam Galleries 10-31 July 2020

Rebecca Pierce’s ‘Outback Confetti’

Featured image – North Narrabeen Ocean Pool

UNTITLED : THE NEW EXHIBITION @ TRAFFIC JAM GALLERIES

 

Yvonne Maloney-Law Glasshouse Country

The current vibrant and exciting exhibition at Traffic Jam Galleries , UNTITLED , features guest artists foreign to the gallery space. This particular exhibition has been curated from local and interstate practitioners at varying stages of their artistic journeys .

These works may challenge, inspire and excite, with diversity being a key factor, reflected through the multiplicity of practice, subject matter and medium ranging from wood and bronze to various types of paint and methods of printing and including butterflies and gold leaf. The whole of the Gallery space is used for this particular exhibition and don’t forget to check both sides of the windows as some works are displayed facing the street.

In no particular order the artists are as follows JUDE HOTCHKISS . AL ROBERTS . TESS CHODAN . SIMONE READ . LEON LESTER. YVONNE MOLONEY-LAW . AYJAY . NIK UZUNOVSKI . ANNABEL SCANLEN and RICHARD CROSLAND.

TESS CHODAN is represented by some extraordinary beautiful and thought provoking butterflies and fauna in bell jars .They have quite a Victorian feel at first sight – and are sourced from antiques – but are very contemporary with the attention to detail and concern for the environment (look at the bees in Diaspora).

RICHARD CROSLAND has three striking wooden sculpture works on display – a thrumming speedy go kart, an amazingly finely detailed Engine with interlocking parts ( which works) and a huge representation of the London Eye. The detail is amazing , the craftsmanship and design sensational.

JUDE HOTCHKISS has several dynamically explosive thickly textured abstract paintings showing, full of tumbling brushstrokes and texture capturing the weather ( eg Stormbreak ) .

AYJAY is represented by three paintings with dynamic use of colour and composition commenting on religion and death

LEON LESTER ‘s swirling, cascading op art works – contrasted with ones that are full of cool straight lines – captivate and at times delight others calmly reflectively lead the eye.

YVONNE MALPNEY -LAW has provided some exquisite, seemingly fragile and delicate intaglio prints of various landscapes .They appear to be water colours but aren’t.

SIMONE READ ‘s series of aerial views of various rock pools around Sydney with their dynamic use of composition and outstanding use of texture are magnificent .The viewer could be in the water.

AL ROBERTS’s bronze sculptures are striking and challenging , including a fish , two sculptures of nude males and a strange John the Baptist like head( Adam’s Apple) .All commenting on the changing ageing human body.

ANNABEL SCANLEN has three subtle yet rather Surrealist like drawings included.

NIK UZUNOVSKI has several abstract bright bold and colourful swirling works showing as part of the exhibition.

A very arresting exhibition .

The present exhibition UNTITLED runs at the Traffic Jam Galleries Neutral Bay 8-29 March 2019

https://www.trafficjamgalleries.com/