Producers John Frost and Suzanne Jones today announced their stellar cast for the high-flying, death-defying hit Broadway musical PIPPIN which opens at the Sydney Lyric Theatre at The Star for an exclusive season from 24 November 2020.
The role of the young and confused protagonist Pippin will be played by Ainsley Melham, who performed the title role in Aladdin on Broadway and across Australia. The charming and manipulative Leading Player, the ultimate ring master of the show, will be Gabrielle McClinton, who played the role on Broadway and beyond. Returning to the stage after an extraordinary award-winning career on television is Kerri-Anne Kennerley who will play Berthe, Pippin’s saucy grandmother.
Simon Burke (Les Misérables, La Cage Aux Folles in London’s West End) will play Charles, Pippin’s demanding father, while Lucy Maunder (Charlie and the Chocolate Factory, Beautiful) will be playing Catherine, a widow and mother who falls in love with Pippin. In the role of Pippin’s conniving stepmother Fastrada will be Leslie Bell (Broadway’s Chicago and Ragtime), with Euan Doidge (Les Misérables, Kinky Boots) playing the role of her son Lewis, Pippin’s half-brother. Continue reading GREAT CAST ANNOUNCED FOR ‘PIPPIN’ : ONE DOUBLE PASS→
All the good scriptwriting theory says that conflict is always at the heart of every good drama. Let it be said that there was plenty of conflict and heat in this production. This play explores one of history’s great rivalries. A battle of wits, blood and broken hearts, reinvented for the stage – the iconic tale of Mary, Queen of Scots and Elizabeth 1 of England.
Following an uprising, Mary has fled Scotland, gone to England and has been imprisoned by her cousin, Queen Elizabeth. The Queen her Imprisoned because Mary is younger, more beloved, and has her own claim to the throne.
STRANGERS IN BETWEEN… two strangers. Strangers who are pulled into the life of a newcomer to the perilous city, a young man named Shane. Shane is in between boy and man, in between straight and gay and in between genetic family and adoptive family. He is the lost boy, the wide eyed innocent, the guiltless seeker and he will meet these two strangers as he emerges blinking to a new life. This production, playing at the Seymour Centre as part of Mardi Gras, tells a story. A human story, riddled with the laughter and with the fears. The story for us of those who embrace us. Continue reading STRANGERS IN BETWEEN: STRANGERS WELL MET AND STRANGERS NO MORE→
SYDNEY REVIEWS OF Screen + Stage + Performing Arts + Literary Arts + Visual Arts + Cinema + Theatre +