There are only three potential kinds of scene, that hold together the structure of the plot of most plays, with fights, negotiations, seductions. Written with fire, and without the need for contrivance, POMOMA is a quickly paced and interesting journey of discovery of seven millennials, living in Manchester England.
The playwright was very mindful of audience when writing, fact versus fiction, and he has created a disturbing version of troubled life, of morals ignored but with a more singular story, all the better to ring true, easily articulating the small and important details of their lives, being fully brought to account.
Australian premiere of BIRD by Katherine Chandler. Just so happy that the SECRET HOUSE team is back, and they have created yet another great theatrical experience, with effective and strong Cardiff accents. The cast of five, all deliver exceptionally vivid performances, that must be seen. Expertly and creatively directed by Jane Angharad, in a very limited run. Continue reading BIRD by Katherine Chandler at The Old Fitz Theatre, Woolloomooloo→
Entertaining and thought-provoking thriller/drama with superb ensemble cast, the play is based on the 1866 enormous novel CRIME AND PUNISHMENT written by Fyodor Dostoyevsky as adapted for the stage by Chris Hannan, and directed by Anthony Skuse. This Australian premiere of UK thriller is a absolute masterwork. The unique staging installed for this show, together with the immaculate lighting choices and costumes, enhance the perceived depth of all the performances from the immaculate quality ensemble cast. Delivering a memorable night of live theatre drama, long talked about, and easily recommended to all your friends. Continue reading CRIME AND PUNISHMENT @ LIMELIGHT ON OXFORD at 231 Oxford Street DARLINGHURST→
Call me a philistine and throw me to the Chekhovians. I don’t get. Maybe I started too young. Us drama types try and immerse in the canon early. I get Strindberg, I get Ibsen. Can’t blame it on my parents, can’t blame it on Chekhov. I mean other people get it. Do I need to get it? Probably not!
Imagine my surprise then. That in a place as strange as Marrickville, with thundering aircraft low overhead and armed with coke and chips because its going to be a sodding 2 hours long. Imagine my surprise to thoroughly enjoy what I might have called in a text to a friend beforehand… Fucking Chekhov. Continue reading THE SEAGULL: SOARING WORK BY SECRET HOUSE THEATRE→
Secret House Theatre brings THE SEAGULL to the Depot Theatre.
A bunch of bohemians gather on a country estate to talk about art and love and fishing. Relationships crisscross and unravel, and regardless of how messy things get, no one seems to get what they want. Yet love and the burning need to create drive them all to keep on striving.
In a letter to his friend, the publisher Alexie Suvorin, Chekhov wrote that he was flagrantly disregarding the basic tenets of the stage to write a play that has four female roles, six male roles, four acts, a view of a lake, much conversation about literature, little action and five tons of love.
Seagull is Chekhov’s celebration of art and love and life.
Directed by Anthony Skuse with Jane Angharad, Matt Bartlett, Charmaine Bingwa, Matthew Cheetham, Alan Faulkner, Deborah Galanos, Tony Goh, Leilani Loau, Abe Mitchell, James Smithers and Shan-Ree Tan.
Founded in 2015, Secret House is a Sydney based theatre company. Our focus is the language of performance. They collaborate to create a shared experience, exploring the relationship between artist and audience.
For information about Secret House or THE SEAGULL visit:
“Yes there is a bear in there.” This is the chase: I am gone for ever! [Exit pursued by a bear.]
THE WINTER’S TALE is one of William Shakespeare’s problem plays, a tragic romantic comedy with many a twist in the tale, its multiple moods offer a challenge that requires expert direction, and a cast capable of fine ensemble work.
This huge cast of seventeen actors, brilliantly deliver this wonderful Shakespearean epic of revenge, passion, insane unwarranted jealousy, cruelty and regret.
The stage direction [Exit pursued by a bear] gives every director a severe problem that needs to be solved during the rehearsal process. Secret House director, Sean O’Riordan, has magnificently solved “the bear issue” immediately generating applause from the entire audience on opening night.
Running at just over two hours (including one interval) and with their well chosen, ensemble cast of seventeen actors, SECRET HOUSE has expertly delivered their fast-paced version, plus their well timed tweaks easily delighted the opening night audience.
Stunningly retold by director Sean O’Riordan, this ensemble piece is well worth seeing at least twice during its very limited run at The Depot Theatre. This adaptation of CYMBELINE repeatedly delivers on many levels, a quite brilliant but confronting evening of great entertainment.
Shakespeare’s rarely performed CYMBELINE, is a very dark comedy set in ancient Britain, and contains the dramatic themes of innocence and jealousy.
CYMBELINE has a very convoluted plot, with very familiar characters as found in many of his iconic works. Innogen is the only living heir of the KING CYMBELINE, but has secretly married her sweetheart Posthumus Leonatus, and Posthumus Leonatus is banished from the kingdom without his wife.
Set/Costume Designer Angelika Nieweglowski, has built this unique set by creating solid walls composed of broken wooden pallets, and a further collection of unbroken wooden pallets, that are frequently moved and shifted and stacked to become exactly what is required for each new scene/setting.
Almost every character has been deliberately costumed with torn and tattered fabrics, to my mind indicating a civilisation nearing its end, adding an extra atmosphere that gives almost post-apocalyptic expectations that are later mirrored, in the violent blood and carnage on the battlefield.
Cast includedDeborah An, Jane Angharad, Alison Benstead, Alex Brown, Tom Coyne, Morgan Junor-Larwood, Celia Kelly, Dave Kirkham, Ben Scales, Keturah Sheen, Roger Smith, James Smithers, Romney Stanton.
Secret House presented CYMBELINE by William Shakespeare at the Depot Theatre, 142 Addison Road, Marrickville between the 5th and 15th October.
Secret House has come up with a captivating two hour adaptation of Shakespeare’s great love tragedy, in modern dress and using the original language and plot. This stripped down new version is fast-paced and features an ensemble of just eleven actors skilfully playing some twenty seven roles.
In this epic play the Bard brilliantly charts the highs and lows of the intimate relationship between the besotted Mark Antony and the beautiful Cleopatra. Thematically, the work is a unique exploration of the conflicts of politics, sex and power, in a war torn empire, starting with the Sicilian revolt until Cleopatra’s suicide, during the Final War of the Roman Republic. Shakespeare tinkers with the historical facts to aid in his dramatisation.