If you are a lover of rapid fire witticisms, frequent bon mots or bitchily wry observations you are in for a treat. There is luscious dialogue rich with contrapuntal adjectives in a very funny script. This New Theatre’s production is well realised with a nice balance of meaningless fluff and fluffy meaningfulness. Not too heavy, not too light, just all round enjoyable.
Mitchell is an up and coming movie star. Diane is his vociferous agent and wannabe producer. Alex is a men’s escort. Ellen is Alex’s love interest. In the beginning anyway.
Mitchell, who is seriously pissed in a hotel room, hires Alex. Things do not go well initially but in the morning there is the distinct whiff of a disastrous amour fou. Diane will need to balance bedings with the bravura public performances keeping Mitchell’s sexual orientation firmly cupboard-locked. She gets it: she’s a fixer … and a lesbian …so rely on her to get things done. Ellen is a party girl and knows what it means to be dumped, still this is a new one even for her. Continue reading THE LITTLE DOG LAUGHED : WIT AND LAUGHTER @ THE NEW→
Mad March Hare Theatre’s production at The Old Fitzroy Theatre makes for a very enjoyable evening’s entertainment. Playwright Jonathan Gavin’s script has rich and rapid fire dialogue. The play features seven women and is the story of their friendships.
A MOMENT ON THE LIPS opens with a party where the seven characters display that there is some discord within the group. The drama then backtracks and fills in how the relationships and friendships have ebbed and flowed over the years to reach their current status. The characters reveal themselves in different ways but essentially this was constrained and trivial until an event happened when the veneer of being polite or superficial was dropped and a type of cathartic cleansing takes place.
Top Girls often have to take hits and make sacrifices to get to the top of their profession. One only has to look at Julia Gillard and her path to the top and her recent demise, which happened around the same time as the New Theatre’s current revival of Caryl Churchill’s classic 1982 play.
Alice Livingstone’s production serves Churchill’s groundbreaking play. Gina Rose Drew’s set and costume design works wonderfully well. The three main characters are tremendous. Julia Billington plays the lead character, ambitious Marlene who has won the top job at her recruitment agency aptly named ‘Top Girls , Claudia Barrie plays her anxious teenage daughter Angie, and Sarah Aubrey played her much down to earth sister Joyce who has raised Angie as if her own child. Angie knows nothing of this arrangement but begins to suspect. The leads are given good support by the ensemble that includes Cheryl Ward, Bishanyia Vincent, Ainslie McGlynn and Maeve Macgregor.
Livingstone’s clear transitions are a feature, switching from the play’s famous opening Act, set in an upmarket restaurant, where Marlene encounters and talks to eccentric, powerful women from the past about the challenges of being fesity, independent women in their particular generation, to Act 2 where the scenes are played out within Joyce’s home and Marlene’s workplace.
Recommended, Alice Livingstone’s revival of Caryl Churchill’s TOP GIRLS opened at the New Theatre, 542 King Street, Newtown on Thursday July 11 and runs until Saturday August 3, 2013.
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