After days of torrential rain the clouds parted last night to make way for a love story on, and to, Sydney Harbour. Cool for the audience and lots of ‘cool daddy cool’ on the stage, we were treated to a new Opera Australia production of Giacomo Puccini‘s LA BOHEME. Set in France during the student riots of 1968, the stormy relationships of the two pairs of lovers are backgrounded by grassroots rebellion and oppressive crackdowns, all in a freezing winter of global unrest. With fire and snow, Handa Opera on the Harbour passionately immerses us in this evocatively created Paris of Discontent. Continue reading Fire and Snow at ‘La Boheme’: Handa Opera on the Harbour→
Opera Australia is currently revisiting the Metropolitan Opera’s production of THE MAGIC FLUTE, first performed in Sydney in 2014. It is a stunning and simply beautiful illustration of the endurance of opera in a modern guise. Its scenes repeatedly proclaim opera as fantastic with high Fs, as well as resoundingly relevant in our modern creative world.
Mozart and librettist Schikaneder would love the transformation of their shifting dramatic epicentres and colourful characters in this production. The hyper-realism of tensions between the powerful Queen of the Night and the order of enlightened initiatives and priests is emphasised by Julie Taymor’s puppetry design and layered costumes. Continue reading The Magic Flute @ The Joan→
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