Salut! Baroque presents MELANCHOLY AND MIRTH.
Early baroque music, much of it composed for the church, was often melancholy in character and meditative by nature. The gradual increase of separation between sacred and secular music opened new opportunities for composers to write purely for entertainment – such as Thomas D’Urfey’s “pleasant and divertive” set of songs, “Wit and Mirth, or Pills to Purge Melancholy” (1698). Continue reading MELANCHOLY AND MIRTH FROM SALUTE! BAROQUE. A BAROQUE GIVEAWAY