Production photography by Rupert Reid Photography.
Darkness edges the two figures who appear before us. The shadowy stage lights have crept up to wash the tiny downstage area with a yellow tinged late afternoon falling. They are hard to make out these two schoolkids with their bored skatepark slouching. The effort of peering seems to blur them more.
They will pull us, disturbed and fearful for them, into their fragile, adolescent lives in ninety minutes of engrossing theatre yet the playwright, director and cast of MOTH (atyp) conspire to be unreliable narrators. Claryssa and Sebastian will never really take shape. They will flutter just beyond our understanding and will beat their wings wildly to warn us away. At the end of the play, as these creations melt back into darkness and we emerge blinking into the light, we are slow and panicky in our anxiety for the young people around us and the world we are leaving them. Continue reading MOTH : FRAGILE ADOLESCENT LIVES EXPOSED IN DECLAN GREENE’S NEW PLAY