In Nakkiah Lui’s play HOW TO RULE THE WORLD Vic, Zaza and Chris meet in a bar. They have a passionate, booze filled chat that is the genesis for them to start an election campaign.
They are fed up with the current state of politics and the Prime Ministers current push to push Sovereign State legislation through Parliament.
All three of them are well educated, savvy with political processes, and have their own ideas about how they want things run. There is a a half senate election coming up They come up with a plan. They will find someone who will run for the senate and get him or her to be the voice for their views.
It has been the season for launches and Sydney’s flagship theatre company, the Sydney Theatre Company, has now chimed in with the announcement of its 2017 season.
Sydney Theatre Company’s Executive Director Patrick McIntyre started proceedings and then handed over to interim Artistic Director Kip Williams announced next years’ program to a packed gathering at the Bar at the End of the Wharf on Thursday night.
Williams has curated an intriguing program which is bound to attract a healthy cross-section of theatregoers. There are some exciting and bold choices.
There have not been enough stories coming from our Asian communities that have made it our stages. This makes the STC’s decision to program Disapol Savetsila’s play AUSTRALIAN GRAFFITI cause for much celebration as indeed was witnessed by the delighted reactions of Lee Lin Chin and her friends when Williams made the announcement.
The Sydney Theatre Company developed Savetsila’s play in conjunction with Asian Australian arts company Performance 4a and Playwriting Australia and will be directed by Paige Rattray. The play, commissioned by the STC, has been described as exploring ‘the migrant experience from the inside out.” A Thai family who open up a Thai restaurant in a small country town face a crisis when their place of business is vandalised by graffiti. How cam they survive such a personal and cultural insult?!
Internationally acclaimed filmmaker PJ Hogan, along with his wife Jocelyn Moorehouse were on hand to hear the announcement that Hogan’s breakthrough film is coming back as a stage play, what’s more a musical. Hogan has come up with a new book for the musical and brings Muriel and her friends up to the present day. Simon Phillips will direct and the music and lyrics come via award winning singer-songwriters Kate Miller-Heidke and Keir Nuttall.
Williams will direct three productions during the year including a Caryl Churchill play CLOUD NINE which will star one of our finest young actors, Harry Greenwood. A big fan of Churchill’s work, Williams believes audiences will engage deeply with this work which explores how our need as human beings need to give ourselves specific identities limits our ability to achieve true authenticity.
There will be a fresh revival of Michael Gow’s classic AWAY, directed by brilliant young director Matthew Lutton and starring Heather Mitchell, and a new adaptation by Andrew Upton of Anton Chekhov’s masterpiece THREE SISTERS, again directed by Williams, starring one of Australia’s brightest young actresses, Eryn Jean Norvill.
The years’ international production will be the Headlong, Nottingham Playhouse and Almeida Theatre production of George Orwell’s classic novel 1984 with a stage adaptation by Robert Icke and Duncan Macmillan. Sydney audiences will see the original production as directed by Icke and Macmillan but with a new Australian cast.
At the gathering Williams also announced that Imara Savage has been appointed as the STC’s new Resident Director taking over from Sarah Goodes who has moved across to the Melbourne Theatre Company. Savage will direct two plays in 2017, Colm Toibin’s THE TESTAMENT OF MARY starring Alison Whyte and Moira Bufini’s DINNER with a cast including Bruce Spence and Brandon Burke.