STALKING THE BOGEYMAN is certainly a play of stealth. It sneaks up on you, more shock than awe, to insinuate itself in a creepy, thought provoking, emotionally exhausting way that had my friends arguing loudly over our after-matinee dinner. Would you or wouldn’t you, did you believe him, all sorts of questions flying. Helmed by a terrific performance, this show is a conception which will furtively stalk you for days after. Continue reading STALKING THE BOGEYMAN – A WITNESS STEALTHILY CRAFTED
Production photography by Marnya Rothe.
While long, this is a tremendous production, more faithful to Chekhov in spirit than recent revivals seen in Sydney. The play features a new translation by Karen Vickery that makes the play seem fresh and relevant. One picks up the plays’ similarities to other Chekhov works in particular The Cherry Orchard.
Director Kevin Jackson and his wonderful cast have caught the Russian melancholy and ennui perfectly. The production is magnificently performed. There is a huge cast -fourteen of the cast in credited roles and six others as servants/military /singers.- all of whom give fine, inspired performances.
With wonderful designs by Georgia Hopkins the first act sees a cluttered, crowded set of tables overflowing with books, well used worn chairs, rugs, a piano, a niche with an icon all evoking provincial Russia circa 1900. When we move into the second half, and the characters become increasingly unhappy with their lives, the stage space as defined by the rugs is halved; indicating that the action takes place in the smaller, upstairs parlour, and also reflectively surrounding the actors with empty, black space (and ominous fire-lit warmth ). For the final scenes, the carpets are rolled up and the furniture hidden under dust sheets, replaced with white wicker garden furniture, and lush green pot plants, which signify indicate the new beginnings planned. Emma Vine’s costumes are superb as is Martin Kinnane’s lighting design. Continue reading SPORT FOR JOVE PRESENTS ‘THE THREE SISTERS’ @ REGINALD THEATRE SEYMOUR CENTRE
And they’re racing…
The sport of racing is such an indelible, iconic part of Australian culture. There are few things more archetypal Aussie male than a guy punting on the races- sitting in the living room, going through the racing guide, the radio on , a bottle of VB close by….
It’s a good life when you are good at picking winners. It’s not so great when you blow a lot of your cash and leave the family short…. Continue reading The Dapto Chaser @ The SBW Stables Theatre
A conniving, narcissistic, backstabbing bitch is the central character in the final play in David Williamson’s Jack Manning trilogy. Bryony (Catherine McGraffin) has been appointed as CEO of a charity and her modern corporate methods cause conflict with the staid, long term members of the organisation. The harmonious operation of the organisation has become dysfunctional to the extent that the board requires a community conference in an attempt to restore balance.