The Australian Ballet are currently at the Sydney Opera House presenting Peter Wright’s 1990 Birmingham Royal Ballet version, which has been in the repertoire since 2007. It is a different version to the Royal Ballet one by Wright, filmed for ROH Live which I have reviewed ,and there is also in the Australian Ballet’s box of treasures Graeme Murphy’s fabulous Australianised version.
This version is quite traditional, a wonderful first ballet and is full of opulent set designs, (at times a little heavy perhaps ), some amazing costumes and sensational dancing . Lighting – originally by David Finn here recreated by Jon Buswell was terrific and the Christmas tree growing was enchanting. Continue reading THE AUSTRALIAN BALLET IN ‘THE NUTCRACKER’→
For balletomanes this was enthralling. Artistic Director David McAllister and music director and chief conductor Nicolette Fraillon from the Australian Ballet talked to Caroline Baum about the Company’s upcoming production of Nijinsky choreographed by internationally renowned John Neumeier which opens next week here in Sydney after a hugely successful season in Melbourne.
The premiere of the Nijinsky/ Stravinsky work Sacre du Printemps ( The Rite of Spring ) took place in Paris in May 1913 and famously caused a riot In the audience. What can we expect from this new work by Neumeier?!
Baum began by asking McAllister how he managed to obtain the rights to Neumeier’s work given that it is a work tightly controlled by the choreographer.
This was a long anticipated opening night– in the presence of the Prime Minister Mr Abbott– that will be long remembered. The Australian Ballet was in peak form and Madeleine Eastoe and Kevin Jackson delivered exceptional performances .
The performance is a revival of the 1986 Maina Gielgud version of GISELLE that has been in the Australian Ballet’s repertoire ever since. First performed in 1841 GISELLE is now regarded as one of the major Romantic ballets. The ballet tells a story of disguise, intrigue, young love, broken hearts and deception. Not forgetting the impact of the eerie, sinister Wilis who appear in Act 2-a group of supernatural women whose thing is to dance men to their deaths- determined on revenge. Continue reading The Australian Ballet in Giselle→
Lush , lavish and opulent this is a story of youthful , fragile innocence corrupted , a journey from glittering luxury to the depths of poverty and despair. A wonderful revival of the major full length Macmillan work, the Australian Ballet were in fine form and performed magnificently .The performance was richly detailed and the ensemble was impressive full of lowlife vigour and technically wonderful.