Lush ,lavish and opulent this is a superb revival of the glorious 1994 production by Elijah Moshinksy and there was great excitement as it marked Nicole Car’s debut in the role of Violetta.
Shocking and scandalous at the time of its 1853 premiere, the now classic tale of poor Violetta and Alfredo, of Consumption and thwarted true love is based on a Dumas novel. Moshinsky , Yeargan and Hall set it in 1877 – so think bustles rather than crinolines and the start of the ‘Belle Epoque’. Yeargan’s designs are themed around the seasons. Continue reading OPERA AUSTRALIA LA TRAVIATA→
Seldom has Sydney been treated to such a marvellous musical and visual feast. Thunderous applause, cheers and screams of bravo greeted the end of this sensational production of Mozart’s THE MARRIAGE OF FIGARO, directed by Sir David McVicar.
This is the second in a trio of Mozart works directed by McVicar that the Opera has organised. Some of the opera is joyous and sunny, but it can change in an instant and become quite dark. The Opera is about the superficiality of society and how much importance is placed on outward appearance.
Succumb to Mephistopheles power in this lavish, opulent, thrilling production. Visually stunning, musically glorious, with three superb leading performers, this is a magical highlight of this year’s Opera Australia season.
The Australian Opera and Ballet Orchestra under the energetic, dynamic and enthusiastic baton of maestro GuillaumeTourniaire delivered a lustrous, splendid performance of Gounod’s lush, hugely expansive score with an edgy tempo.The ensemble chorus work, under the direction of Anthony Hunt, was inspiring and well-balanced.
The plot of Gounod’s opera is deeply rooted in religion, superstition and morality. In Charles Francois Gounod’s opera, aged and despairing philosopher Faust (Michael Fabiano) sells his soul to the devil, Mephistopheles (Teddy Tahu Rhodes), in exchange for youth and the chance to pursue a beautiful innocent, Margeurite (Nicole Car). Continue reading Faust @ The Dame Joan→
Musically this new version of Mozart’s ‘Don Giovanni’ is superb and thrilling with spectacularly brilliant performances from the wonderful orchestra under Maestro Jonathan Darlington (featuring the fortepiano played by Siro Battaglin for the recitative) and the glorious cast led by the great Teddy Tahu-Rhodes.
Sir David McVicar’s direction is deft and assured. This is a bleak, dark production, with quite a cold ‘feel’ .There is a swooping black curtain hiding most of the set when we enter. The huge set resembles a bombed/ruined palace with rubble, and there are pieces of marble everywhere.