‘New Sacred — A joint role exhibition encouraging curatorial dialogue across greater Sydney‘, is a project that introduces the first collaborative exchange between Parramatta Artists Studios in Western Sydney and Mosman Art Gallery, located on Sydney’s North Shore. The exhibition showcases the work of nine mid-career artists who are current residents and alumni of the Parramatta Artists Studios. Continue reading NEW SACRED – A JOINT ROLE EXHIBITION
FLY ME TO THE MOON is a cabaret being presented by the Mosman Musical Society at the Mosman Art Gallery. Continue reading FLY ME TO THE MOON: A CABARET FROM MOSMAN MUSICAL SOCIETY
A delightful and at times very moving Cabaret in The Day, the final of this year’s series, “ BROADWAY BABIES’ was at Mosman Art Gallery featuring the talents of maestro Glenn Amer and Adele Johnston.
The versatile, extremely impressive Amer needs no introduction to audience members of Cabaret in The Day. Johnston is a versatile artist excelling in a variety of genres including cabaret, musical comedy, opera, operetta, concert and lieder recitals. For this concert she was elegant in black and silver and – at least at the start- draped in a hot pink feather boa.
In this concert we were treated to a range of ‘The Greatest Hits’ from various musicals ranging from Annie Get Your Gun to Phantom of the Opera and more… Continue reading CABARET IN THE DAY : BROADWAY BABIES @ MOSMAN ART GALLERY
This first concert in this year’s delightful series and included music by Johann Strauss, Franz Lehár and Imre Kalman.
Piano maestro Glenn Amer played and sang fabulously. Amer also played the role of narrator and enjoyed making incisive, witty comments.
We were whisked to Vienna and heard classics such as The Blue Danube,and selections from Die Fledermaus, The Gypsy Baron, The Merry Widow, The Land of Smiles, Countess Maritza, The Gypsy Princess and works by Richard Tauber, Joseph Schmidt and others.
Amer opened the program with a very dynamic, infectious selection of famous waltzes. He placed the waltz in social context and remarked how scandalous it was when it was first performed, even raising t,he chagrin of certain bishops in Germany. Continue reading CABARET IN THE DAY : YOU ARE MY HEART’S DELIGHT @ MOSMAN ART GALLERY
Featured photo – Guest artist Michael Tsalka on harpsichord.
This was a very charming and delightful concert performed with delicacy and vigour. There was fine ensemble work by all and some dazzling harpsichord playing. Under the direction of Diana Weston we were privileged to welcome the return of Michael Tsalka on harpsichord.The program featured six short works. First we heard the elegant, quite operatic Johann Freidrich Fasch’s Overture arranged by Stephen Yates. This piece was stately yet lyrical and at times very fast paced.
Next was Vivaldi’s Violin Concerto RV 319 arranged for two harpsichords in three movements again arranged by Stephen Yates. The first movement began with a fast and insistent feel, one harpsichord acting like the violin soloist, the other the orchestra in a delightful dialogue between the two.
The second movement was more heartfelt and sorrowful, melancholic and reflective– however this changed to cascading, shimmering, faster, rippling notes on the keyboard taking us through to the third movement. This was an animated discussion between the two harpsichords full of crystalline delicacy and circling rhythms that led to a bright, powerful conclusion. Continue reading THOROUGHBASS OVERTURE AND CONCERTO @ MOSMAN ART GALLERY
Featured image – Michael Tsalka. Pic by Olga Masri de Mussali.
Thoroughbass is delighted to welcome back international keyboard specialist Dr Michael Tsalka in a concert of overtures and concertos for two harpsichords and strings. Tsalka, whose performances last year left audiences enthralled, joins Diana Weston to perform works by J.S. Bach, Vivaldi, Scarlatti and others.
Dr Tsalka walks the global stage performing hundreds of concerts each year in Europe, Japan, China, the USA and Australia. His repertoire spans the baroque, classical and romantic eras to the present day. His performances, whether on harpsichord, fortepiano, clavichord or modern piano are historically informed and full of musical integrity.
Bach’s concerto for Harpsichord and strings BWV 1055 will be well-known to many. Less well-known but no less worthy of performance are Georgio Benda and Alessandro Scarlatti’s concertos for the same combination. Continue reading THOROUGHBASS PRESENT ‘OVERTURE AND CONCERTO’ @ MOSMAN ART GALLERY
To mark the 75th Anniversary of the Japanese submarine attack on Sydney Harbour, Mosman Art Gallery has organised a multi-media site-specific exhibition staged in an oversized old naval fuel tank at Headland Park, Georges Heights, overlooking the scene of the World War II account.
Six Australian and Japanese artists have interpreted the event in a contemporary context, offering large–scale installations, paintings, soundscapes and immersive experiences that consider war and conflict on a global scale, while evoking one of Sydney Harbour’s darkest moments.
When the Japanese opened fire on the night of 31st May 1942, it was a brazen strike that created fear and havoc across Sydney and around the nation. War was brought home to Australia’s Eastern States. Continue reading TOKKOTAI : A NEW EXHIBITION BY CONTEMPORARY AUSTRALIAN AND JAPANESE ARTISTS
Have you ever considered the fate of the humble childhood toy “Jack in the box” ?
Well, Rosemary Dobson has:
“He crouches low and supplicant/His elbows knocking on the wood…/He waits the tapping at the locks/He hears the children calling”Jack!”…/They think he sleeps, but how he weeps/His small tears falling with no sound……”
Rosemary Dobson was a distinguished and prolific Australian poet who died in 2012 at the age of 92. Her poetry is somewhat more intellectual and detached rather than visceral…but nevertheless she still writes movingly of the human experience.
COCK CROW puts a handful of her poems in a musical context. Leonie Cambage is the poet’s voice (she trained as an opera singer), Shaun Ng plays Lute, Viola da Gamba and Theorbo, and Diana Weston plays Harpsichord. Continue reading COCK CROW : ROSEMARY DOBSON IN WORDS AND MUSIC @ MOSMAN ART GALLERY
For the latest ( and, sad to say, last in the season for the moment ) Cabaret In the Day at Mosman Art Gallery, under the terrific direction of Melvyn Morrow we had a superb POISONING PIGEONS IN THE PARK, a deliciously witty, subversive performance celebrating the wondrous talents of singer/songwriter/social satirist Tom Lehrer.
Lehrer, now retired, was a mathematics and musical theatre lecturer and has a massive cult following. His songs often parody popular song forms although often creating original melodies while doing so. He is best known for the darkly humorous songs he recorded in the 1950s and ’60s.
In the 1960s, he produced a number of songs dealing with social and political issues of the day, particularly when he wrote for the U.S. version of the television show That Was the Week That Was. He has also translated The Wizard of OZ into Latin and this is still regarded as the standard Latin version today. Despite their topical subjects and references, his songs are still enormously popular. Especially close attention must be paid to his acerbic , witty , subversive lyrics . Continue reading CABARET IN THE DAY – POISONING PIGEONS IN THE PARK @ MOSMAN ART GALLERY
The latest in the Cabaret in the Day series at Mosman Art Gallery was Of Bing I Sing , saluting Bing Crosby (1903 -1977 ) , the legendary 20th century American crooner and movie star.
Recording more than 1700 songs, Crosby’s distinctive warm bass-baritone voice made him the best-selling recording artist of the 20th century, having sold over one billion records, tapes, compact discs and digital downloads around the world.
Written and directed by Melvyn Morrow, it was presented as a dialogue between Glenn Amer ( ‘” the musical mastermind of Moss Vale ‘’) who has ‘’ the fingers of Liberace and the voice of Mario Lanza” and a collection of 378 78 format style recordings of Crosby, and Rob Palmer, star of Better Homes and Gardens and Dancing With the Stars.
Amer at the shiny black piano was dressed in a dapper suit , Palmer in front of a large black and silver mike was far more casual in a t-shirt and denim. Palmer was tanned and had a dazzling cheeky grin .Palmer had a long introductory monologue explaining how the two met. Continue reading CABARET IN THE DAY – OF BING I SING @ MOSMAN ART GALLERY
The first of this year’s Cabaret in the Day series as excellently directed by Melvyn Morrow was the wonderful ‘Gilbert and Sullivan forever!’ starring Andrew O’Keefe and Glenn Amer.
The best of G&S in an hour and a half was presented by O’Keefe (The Chase, Weekend Sunrise) who is a Mosmanite, and Amer who has been described as ‘the man with the fingers of Liberace and the voice of Mario Lanza ‘.
Together they become a cast of hundreds as we dashed exuberantly through some of Gilbert and Sullivans much loved operettas as well as some rarely heard works too. Continue reading CABARET IN THE DAY : GILBERT AND SULLIVAN FOREVER @ MOSMAN ART GALLERY