The Late Show is LAPD parlance for the night shift and it’s been appropriated as the title of Michael Connelly’s latest thriller.
Eschewing Harry Bosch and Mickey Haller his seemingly perennial serial protagonists, Connelly has created a new lead character, Renee Ballard, an Hawaiian transplant pulling the late show out of Hollywood.
THE LATE SHOW is a slow burn of a page turner, a police procedural that sees Ballard pick up a trio of cases she wants no part of but cannot bear to part with.
By the early nineties Steven Spielberg had established his position as the preeminent Hollywood director, but his films over the previous decade had largely decayed into cloying cuteness and overblown sentimentality.
So the buzz that Spielberg had secured the rights to Michael Crichton’s exciting novel JURASSIC PARK (published 1990) did not settle well with fans (cuddly dinosaurs speaking in childlike voices?) but anyone emerging from a cinema after the two-hour screening must have felt that dinosaurs were truly walking the earth. Spielberg was back in form – Jurassic Park (1993) wasn’t just good, it was Jaws (1975) good!
JURASSIC PARK tells of one man’s dream to create a unique game preserve on a remote jungle island near Costa Rica. Billionaire John Hammond (Richard Attenborough) has amassed a core group of experts who have discovered how to genetically engineer live dinosaurs from their fossilised DNA remains found in the blood of prehistoric mosquitos encased in amber, and has populated his scientific Disneyland with long-extinct breeds of dangerous carnivores. Continue reading Spielberg Collection: Jurassic Park (1993)→
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