Tag Archives: Max Riebl

PINCHGUT’S OPERA : MONTEVERDI’S ‘VESPERS’ @ CITY RECITAL HALL

The live audience was ecstatic with thunderous applause for Pinchgut’s magnificent, finely burnished and lushly detailed performance of Monteverdi’s VESPERS. Fortunately you can catch it online at the moment until 1 May, 2021.

Written in 1610, Monteverdi’s VESPERS (Vespro della Beata Vergine ) is now rarely heard. Monteverdi (1567 – 1643) was comfortable with both Baroque and Renaissance music and is regarded as one of the great composers. He wrote music for the church, temporal works and among other things, opera as well. In his Vespers, Monteverdi energetically transformed ‘traditional’ Renaissance polyphony into strikingly advanced styles. 

Musically and vocally the performance was polished, precise and superb, the Orchestra of the Antipodes including some now uncommon Baroque instruments. Hannah Lane  exquisitely played on the harp throughout and there was a theorbo, (Simon Martyn-Ellis ) cornetti (Matthew Manchester and John Foster) and sackbuts (Ros Jorgensen, Nigel Crocker and Brett Page), amongst others. Continue reading PINCHGUT’S OPERA : MONTEVERDI’S ‘VESPERS’ @ CITY RECITAL HALL

PINCHGUT OPERA : VIVALDI’S FARNACE @ CITY RECITAL HALL

This is a Baroque opera set in ancient Roman times , yet has been updated to now in a chilling , menacing production at times countered by lyrical , exquisite music.The atmosphere of the set is dark and bleak ( almost like a construction site, or bombed out war zone, with large plastic panels , ladders and scaffolding ) and there is a menacing atmosphere of war and violence throughout .Body bags wrapped in plastic hang ominously and are at various times hauled up and down. There are chalk outlines of people on the back wall which are possibly graffiti , or perhaps hinting at ghosts of the fallen. Costumes are also contemporary including camouflage gear, balaclavas and guns. The overall effect is darkly monochromatic but there are dramatic uses of red.

At the time of writing Vivaldi was at the peak of his career and FARNACE was regarded as one of his great triumphs. Continue reading PINCHGUT OPERA : VIVALDI’S FARNACE @ CITY RECITAL HALL

THE AUSTRALIAN BRANDENBURG ORCHESTRA AND CHOIR: THOMAS TALLIS’ ENGLAND

A most glorious concert that had the packed house enraptured, The Australian Brandenburg Orchestra ( in double string orchestra format)and Choir combined forces to perform a richly textured dramatic concert that ranged over 400 years in an English musical journey mostly concentrating on works by Tallis, Byrd, Gibbons, Locke, Purcell, and Handel but concluding with a 20th century piece Ralph Vaughan Williams’ Fantasia on a theme by Thomas Tallis. They were enthusiastically and energetically conducted by Paul Dyer. Continue reading THE AUSTRALIAN BRANDENBURG ORCHESTRA AND CHOIR: THOMAS TALLIS’ ENGLAND