The Australian Ballet are currently at the Sydney Opera House presenting Peter Wright’s 1990 Birmingham Royal Ballet version, which has been in the repertoire since 2007. It is a different version to the Royal Ballet one by Wright, filmed for ROH Live which I have reviewed ,and there is also in the Australian Ballet’s box of treasures Graeme Murphy’s fabulous Australianised version.
This version is quite traditional, a wonderful first ballet and is full of opulent set designs, (at times a little heavy perhaps ), some amazing costumes and sensational dancing . Lighting – originally by David Finn here recreated by Jon Buswell was terrific and the Christmas tree growing was enchanting. Continue reading THE AUSTRALIAN BALLET IN ‘THE NUTCRACKER’→
The Australian Ballet is in glorious form with this revival of GISELLE. It is the much loved Maina Gielgud version, replacing the much anticipated The Happy Prince that has had to be postponed because of Graeme Murphy’s illness.
GISELLE originally premiered in 1841 and is considered one of the great Romantic ballets , telling the story of madness , deceit and betrayal , vengeful spirits and a love that conquers death.
In this beautifully designed version Peter Farmer’s set and costume designs are mostly in russet colours for Act 1 and then an eerie forest glade for Act 2.
The Orchestra under the inspired baton of Simon Thew was in splendid, luxurious form too playing Adam’s haunting score magnificently.
The large corps de ballet was in excellent form , the crisscrossing, interlinking patterns of the various village dances in Act 1 crisply, precisely performed .The peasant pas de deux ( Aya Watanabe and François-Eloi Lavignac) was a great show stopping interlude. In Act 2 the Willis were menacing and dangerous. Continue reading AUSTRALIAN BALLET PRESENTS GISELLE @ THE SYDNEY OPERA HOUSE→
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