This collaboration by two groups well known to Sydney audiences is a significant one. It breaks down so beautifully many preconceptions of fixed genres, historical sound options and what audiences expect to hear from particular composer’s works.
BROKEN CONSORTS is a performance practice workshop which maintains the two groups’ period identities whilst premiering possibilities using an exciting blend of resources. The essence and energy of compositions from each period are maintained and the early music pieces in particular are further celebrated through inventive rescoring. The playing of very recent works, including the highlight of a premiere work commissioned for the event illustrates that such blending is not only possible but an interesting new direction.
Composer Damien Ricketson’s introduction to his 2003 work Trace Elements explained his invention of a new notation based on tablature for early lute music. His work’s exploration of this and its potential in the parts for a flexible blend of strings and wind is consistent with the goals of the entire concert. The work’s elements of stasis as well as dramatic shifts were expressively delivered by Ironwood and Ensemble Offspring members together. Continue reading Broken Consorts – Ensemble Offspring and Ironwood @ The Utzon Room