Tag Archives: Martin Kinnane


Plenty of shots are fired in the late, great Edward Albee’s classic drama, WHO’S AFRAID OF VIRGINIA WOOLF. Middle-aged couple George and Mildred marriage is a war zone and they invite another couple, Nick and Honey, over to unwittingly join them on the front line.

This latest revival of this oft performed Albee work has been put on by the Theatron Group.

A good creative team comprising John Pryce-Jones’ raised platform set of George and Martha’s 1960’s living room, Martin Kinnane’s sharp lighting design, and Alistair Wallace’s subtle sound design create a very distinct world for what is a stellar cast to weave their spell in. This small troupe of players genuinely seize upon the ‘meaty’ roles which Albee has gifted them. Continue reading WHO’S AFRAID OF VIRGINIA WOOLF? @ THE GREEK THEATRE


This play, written by actor Michael Cristoffer, had its premiere on Broadway in March 1977. It went on to win that year’s Pulitzer Prize for Drama as well as taking out the Tony Award for Best Play.

Cristoffer’s play cuts deep. Its subject is that old dreaded subject which us humans have so much trouble dealing with – the impermanence of life and its fragility. And of-course, what goes hand in hand with this – the terrible losses that we suffer along the way.

THE SHADOW BOX is well suited to be performed ar such an intimate venue.

The play takes place over twenty four hours, in three separate cottages on the grounds of a large hospital, in the United States. Within the three cabins are three patients – Joe, Brian and Felicity, who are each to live with their respective families at the final stage of their life, as their treatment has been discontinued. Continue reading THE SHADOW BOX @ THE OLD FITZ

Next To Normal @ The Hayes

Natalie O'Donnell and Brent Trotter in the Pulitzer Prize winning NEXT TO NORMAL
Natalie O’Donnell and Brent Trotter in the Pulitzer Prize winning NEXT TO NORMAL

Near the finale of NEXT TO NORMAL playing the Hayes Theatre, Diana says “It’s hard to tell the dancer from the dance.” Which is exactly how I feel about this production. It’s a Pulitzer Prize winning show with a wonderful performance at the centre and I was so emotional: angry, and sad and disturbed by the important issues that this play raises. I reflected, how were those emotions triggered? By the show or the production? Does it matter?

A normal suburban family is presented to us in the first few minutes of the opening. Diana (Natalie O’Donnell) is protecting her curfew breaking son, Gabe (Brent Trotter) from the attention of his father Dan (Anthony Harkin). Their teenage daughter, overachiever Natalie (Kiane O’Farrell) feels pretty irrelevant to this happy family. And we soon see why. The act of making sandwiches becomes a bread slice pathway into a disordered mind. Continue reading Next To Normal @ The Hayes