For those of us lucky enough to attend, this was an absolutely glorious concert as part of the Willoughby Symphony Chamber series at the Zenith Theatre as directed by Daniel Dean .
First was a shimmering, exquisite rendition of Maurice Ravel’s Introduction and Allegro for Harp Septet . (1907) After a delicate start by flute and clarinet, it was lush and limpid then darting , bubbling and scurrying. Soloist Will Nichols on the harp was superb passionate , authoritative yet fragile and delicate in his instrumental solos and the featured cadenza ,all leading to a scampering conclusion.
The we heard Carl Vine’s Inner World : Cello and Tape , with Liam Meany on solo cello. Vine apparently hand edited the sound score of the tape, which at times includes cascading piano, at one point has an insistent almost Flamenco like rhythm and at another time is very poignant. For one section towards the end it is as if the music is sort of revolving in circles .Meany’s live , passionate playing in an extraordinary bravura performance is at times dominant , sometimes fast and furious, at others delicate or sometimes sharp and spiky . As Vine has written : ‘The performer is not only live, but also crystallised, dissected and re-arranged’ in a striking performance’. Continue reading WILLOUGHBY SYMPHONY CHAMBER SERIES : SHATTERED RESTRAINTS→
The last of this year’s Willoughby Symphony Orchestra Chamber series was a most exciting concert combing Schulhoff’s ( arr Tarkmann) Suite for Chamber Music and Stravinsky’s suite from THE SOLDIER”S TALE. Dynamically conducted by Luke Spicer , both works are scored in somewhat unusual arrangements for bassoon, clarinet. violin, trumpet ,trombone , double bass and percussion.
REMEMBRANCE, a most luxurious concert based on the theme of mourning and remembrance , marking the centenary of the end of World War 1 . Under the energetic , dynamic and precise leadership of Maestro Luke Spicer the Willoughby Symphony gave an impassioned performance.
From the funerals of presidents and princesses, to the inclusion in film and dance works , the concert began with Samuel Barber’s iconic Adagio for Strings – here performed at a very slow tempo in a hushed, rich tone. With the pacing and timing you could almost hear the pauses for the tears cascading. It built in momentum to a shimmering , haunting conclusion . Continue reading REMEMBRANCE: WILLOUGHBY SYMPHONY – STIRRING AND ELOQUENT→
The Willoughby Symphony and Choir combined to bring us an absolutely superb concert , the first of this year’s season, simply entitled GALA . They were precisely and energetically conducted by the inspirational Dr Nicholas Milton who also introduced the various pieces and the soloists . The Choir is directed by Chorus Master Peter Ellis The program had an Italian opera theme with works by Puccini ,Rossini , Verdi etc. and the excellent soloists were from Pacific Opera. Continue reading WILLOUGHBY SYMPHONY AND CHOIR : OPENS 2018 WITH A GLORIOUS GALA→
Debussy’s L’enfant Prodigue is a staged cantata by Claude Debussy with text by Édouard Guinand that runs approximately 45 minutes.
This classic parable still resonates with us today. In an increasingly isolating and individualistic society, we are confronted by our own passive vilification of people who have fallen through the cracks. The drive to succeed and express our identity comes at a cost. Humanisation and community are the remedy,
The cantata is to be directed by Lucy Scott and conducted by Luke Spicer. The work will be played by a chamber orchestra accompanied by soprano Ayşe GöknurShanal, tenor Joel Scott and baritone Andrew Williams. The piece runs for forty five minutes.
May 5th: 7:30PM
May 6th: 5:30 + 7:30PM
May 7th: 5:30 + 7:30PM
Backyard Opera – a new multi-use arts space a five minute walk from Tempe Station : http://www.backyardopera.com/contact
The TMO’s Met Concert #1 was stunning! This first concert in the 2015 season contained a challenging programme of very well-known works from the Baroque and Classical eras. These challenges were met by the soloists, orchestra and conductor Sarah-Grace Williams with discipline, energy, artistry and genuine enthusiastic music-making. If this concert is an indication of what is to emerge from TMO in 2015, then its audiences are in for quite a year.
As in many previous Met Concert series, the format included works highlighting one of the orchestra’s principals and also a guest artist. TMO strings were showcased in both chamber music and string orchestra contexts. The string orchestra was augmented and inspired by the talented Australian violinist Lisa Stewart.
TMO Principal Clarinetist Andrew Doyle presented us with a fine Mozart Clarinet Quintet in A Major, K 581 with well-balanced playing from the TMO’s string quartet featuring Nataliya Lukich, Christina Ong, Luke Spicer and Steve Meyer. Continue reading Met Concert #1 @ Eugene Goossens Hall→
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