The setting for A LITTLE NIGHT MUSIC at the Everest Theatre is simple. Black risers upstage on the right. On the left, a large, bare branch artfully suspended parallel to the floor above a grand piano. But this is not indicative of stripped back production. There are rich and detailed aspects to this The University Of Sydney Musical Theatre Ensemble (MUSE) production of the Sondheim classic.
Rather, the branch is just a branch. Recognizable for what it is despite its lack of leaves. What lies under what the world sees, is the metaphor.
Fredrik Egerman, a middle aged lawyer, in Sweden in the early 1900s appears to have exactly what other men desire. But he has a reluctant 18 year old bride on his hands. Anne remains a virgin eleven months after their marriage and Fredrik is drawn back to a former lover, Desiree Armfield, formerly a noted actress who is reduced to playing small towns in rep. Continue reading A Little Night Music @ The Seymour Centre→
Sydney University Musical Theatre Ensemble’s (MUSE) production of Stephen Sondheim’s ANYONE CAN WHISTLE is performed by a group of talented and highly energetic and committed performers. The show is, in part, a social satire and a sharp critique of modern society, breaking the fourth wall, acknowledging itself as theatre and sometimes not following a logical, linear structure.
This Sondheim play is also partly a musical romantic comedy, complete with love songs and happily ever after scenarios for the hero, the heroine and even the villains.
The town in ANYONE CAN WHISTLE is in serious financial trouble and needs a miracle. The scheming Comptroller has a solution and supported by Mayoress Cora creates a water spouting rock and calls it a miracle. Yet when Nurse Fay Apple brings her ‘cookies’ from the local mental institution, the Cookie Jar, to cure themselves, chaos ensues as patients and residents become mixed up. From there the plot twists and turns till all is well – well almost – at the end. Continue reading Anyone Can Whistle→
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