Those of us in the shamefully small audience (where was everyone?) were treated to a heavenly concert, the first of this year’s Willoughby Symphony Chamber series at the Zenith.
After a wonderfully successful first year, the Willoughby Symphony’s chamber music series returns for its second season with three exhilarating concert experiences in 2019. This year the Artistic Director for the Chamber series is Daniel Dean.
This concert was full of fine ensemble playing which was rich textured and multi layered. First we heard Louise Farrenc’s Nonet in E-flat which brought her great acclaim and, perhaps more importantly, equal pay as a composer, in 1850. The first movement began with a rich, flowing opening for strings and woodwind. The nine magnificent players then entwined in an infectious melody with some bright rather bouncy sections contrasted with soaring lyrical segments and showy solos for some of the instruments. Continue reading WILLOUGHBY SYMPHONY CHAMBER SERIES CONCERT 1