Tag Archives: Liam Nunan


Caroline Zilinsky’s Evelyn Chapman Art Award winning painting ‘Heiress to the Pied Piper’
Finalist Artist : Erika Sorby
Finalist Artist: Naomi Lawler

Perpetual, as Trustee, of the Evelyn Chapman Trust together with the S.H. Ervin Gallery today announced artist Caroline Zilinsky as winner of the 2020 Evelyn Chapman Art Award. Zilinsky’s winning work, ‘Heiress to the Pied Piper’, is a portrait of philanthropist Joanne Cowan who has devoted her life to the field of addressing substance abuse. Her work with numerous charities, support groups and organisations has saved countless individuals and their families as they battled the horrors of addiction. It is an issue quite close to her heart; she wrestled with addiction herself, having followed the piper’s intoxicating tune to the depths of despair. Cowan was forced to pay the piper eventually, and it almost cost her soul. Here, she sits in her west elm chair with her dogs by her side. The painting was also one of 40 finalist works in the inaugural Darling Portrait Prize.

The Evelyn Chapman Art Award was established in the memory of Evelyn Chapman (1888 – 1961), an Australian painter and first female artist to depict the devastated battle fields, churches and towns of the western front after the First World War. A respected artist, Chapman exhibited at the Salon in France but was forced to retire as a painter following her marriage. However she continued to espouse art education and practice. Evelyn Chapman’s archive including artworks, photographs and correspondence between her and her daughter is held at the Art Gallery of NSW National Art Archive.

Award winner Caroline Zilinsky says, “It is the most profound honour to be the recipient of the Evelyn Chapman Art Award. With the spirit of Evelyn Chapman at the helm I hope to re-imagine Australia’s identity in the 21st century.”

As the winner of the award, Zilinsky plans to develop a series of work, following research at the Art Gallery of New South Wales, and follow in the footsteps of artist Russell Drysdale’s 1944 exploration of the outback. Drysdale was commissioned by the Sydney Morning Herald to record the effect of the drought conditions in western New South Wales. The publication of his work led to widespread recognition of his skill as a draughtsman while the experience inspired a seminal series of paintings.

The judges, Ann Cape, Greg Hansell and Yvonne Langshaw commented, “Caroline Zilinsky is a worthy winner of the Evelyn Chapman Art Award as her unique and well executed work demonstrates a commitment to the practice of oil painting. The award celebrates the future of Australian painting as it offers contemporary painters working in oil and tempera a wonderful opportunity and unrivalled freedom to develop their artistic practice and education. The award is important because it encourages the development of painting techniques while helping to create a platform for contemporary artists to forge new paths and further the development of the medium in the future. The quality of the 2020 finalist works is testament to the importance of painting with young artists today.” 

Caroline Zilinsky was selected from a finalist group of eight artists each of whom were able to submit up to three paintings and a proposal. The 2020 Evelyn Chapman Art Award finalists were Nicole Kelly (NSW), Naomi Lawler (NSW), Liam Nunan (NSW),
Erika Sorby (NSW), Michelle Teear (NSW), Clare Thackway (NSW), Lucy Turnbull (SA), Caroline Zilinsky (NSW).

Featured image : National Trust S.H. Ervin Gallery



The subject of Steve Rodgers play, adapted from the novel by Peter Goldsworthy, is not Jesus. The subject is family, how devoted we are to it and how we will give everything to it.

Linda and Rick Pollard are a happy couple. They have two children, Ben and the younger child, Wol. Life is going smoothly.

The couple try and protect Ben and Wol from the harsher realities of life. They want them to be ‘bathed’ in love. They even banish the tv from their house as an unnecessary distraction from .the peaceful environment they are determined to live in.

Then one day, their girl Wol takes ill. They take her to the Doctor. The Doc organises a battery of tests. The results come back. Wol has leukaemia.

The perfect Pollard family world is rocked. The family goes into damage control. It isn’t helped when, in one scene, Wol completely ‘loses it’ and  screams out that she doesn’t want to be alone, she doesn’t want to die.

Darren Yap very sensitively directs this production and wins good performances from his cast. Matthew Whittet plays the idealistic  Nick. Liam Nunan is Ben who just wants to see his sister get better. Grace Truman gives a touching performance as Wol.

Valerie Bader doubles up as Grandma and Doctor Eve. Mark Lee plays Grandpa and the local priest.

My performance of the night was Emma Jackson’s as the very gritty, earthy mother, Linda.

Emma Vine’s compact set and costume design worked well as did  Max Lambert’s soundscape, underscoring the action.

A touching, sensitively wrought drama,  JESUS WANTS ME FOR A SUNBEAM plays upstairs at Belvoir Street Theatre, 25 Belvoir Street, Surry Hills until Sunday 8th March, 2020.

Featured image : Matthew Whittet and Emma Jackson in ‘Jesus wants me for a sunbeam’. Pic by Brett Boardman.








Production Photography: Noni Carroll Photography

JESUS WANTS ME FOR A SUNBEAM is an extraordinarily moving night at the theatre, with performances emotionally pitched to the narrative movements of the work, accessible writing which strikes at the heart and a multilayered thematic examination of a very difficult subject.   But there is an underlying reality to this National Theatre of Parramatta production: it’s not about what happens in the room.  It is about issues that will haunt the watcher’s sleeping and it’s about what the play begs of us, empathy inside the judgements and assumptions when a story hits the headlines.

In one room in a family home we meet the Pollards, a tight knit somewhat unusual family.  They have been so, we understand, from the time Linda and Rick met.  With the perfect family unit of an older boy, Ben, and a younger daughter, Emma known as Wol, the parents are very aware of the perils in life.  In a presumption of protectiveness they have closed themselves off without withdrawing completely.  Especially not from Linda’s parents, and Grandma and Grandpa are frequent visitors.  And witnesses.

Because something has happened here and Ben, now grown, is trying to work out why.  Through his eyes and the reminiscences of his father, the audience is slowly made aware of what has been sacrificed in the name of the children.  It is never as it seems, this play, and such is quality of the writing from Steve Rodgers (adapted from the Peter Goldsworthy novella)  that the narrative carries consistency of line yet is unpretentiously mysterious.  The characters are completely understandable and the moral questions are enriched by this engagement. Continue reading JESUS WANTS ME FOR A SUNBEAM. GO.

Shivered @ The Pact Theatre

Shivered hero - with text

Phillip Ridley’s harrowing play of grief and the impact of post traumatic stress is given the full on, in your face treatment, under Claudia Barrie’s direction. The play opens with loud heavy guitar sounds before a stark, all white room is suddenly and intensely illuminated. A single figure is screaming and begging for his life. The stage goes black. Continue reading Shivered @ The Pact Theatre

A Butcher Of Distinction

Twin brothers go through their late father’s possessions

A friend of mine recommended this show after I spilled to her that I was a big Tarantino fan.  This provided me with certain expectations and with a name like A BUTCHER OF DISTINCTION, how could you go wrong?!

Rob Hayes new work, currently showing at the Old 505 in Surry Hills, is a compelling piece about twin brothers.  Hugo (Liam Nunan) and Hartley (Heath Ivey-Law) find themselves in London, cleaning up their Father’s secret alternate lifestyle after a terrible family tragedy. Their predicament progressively worsens as Teddy (Paul Hooper), one of his fathers’ acquaintances barges into their apartment demanding a large sum of money owing to him. The play travels along a somewhat bewildering line with its focus initially on the boys’ plight, and then shifting without warning to a bizarre revelation of the boys’ alter-egos, a butcher and a goatherd.

The show is hinged on the relationship between the two brothers and their upbringing on a secluded country estate; director, James Dalton works nicely to tie the loose ends of the script together to form a convincing progression from realism to absurdism. Hooper’s performance as the malevolent brothel owner is a standout and he brings a great consistency to the work.

The play doesn’t take itself too seriously and embraces the theatricality of the script and characters, as long as you’re not too squeamish this show will give you a lot of laughs. For an engaging and bizarre night at the theatre that will leave you with a lot of questions. Go and check it out.

A WE DO NOT UNHAPPEN and Old 505 Theatre co-production, A BUTCHER OF DISTINCTION opened at the Old 505 Theatre in Surry Hills on Wednesday 8th May and runs until May 26, playing from Wednesdays to Sundays.