As if their twenty year age gap wasn’t difficult enough, Matilda’s is fighting for space in Gabe’s life along with his constant companions, misery, writerly angst and booze. She’s not convinced he’s over with his ex girlfriend and publisher, Angela, who is used to picking up Gabe’s pieces.
If Gabe wants to get sober he’ll have to abandon his image as the tragic, self destructive writer drinking his way to oblivion. And if Angela’s really trying to let Gabe go, like her partner Tony needs her to, she needs to say goodbye to Gabe’s wretched cat that she is looking after.
The new play downstairs at Belvoir Street is THE OVERCOAT : THE MUSICAL based on a short story by Nikolai Gogol with a literal translation by Alena Lodkina. The work has been created by Constantine, Michael and Rosemarie Costi.
Gogol’s allegorical tale is about a nondescript looking man, Nikolai Akakievich working in the public service, who resents the drudgery of his job and the ill treatment he receives from his co-workers. He needs a change in his life, He finds this change when he is walking in the city and comes across a clothing store with a very persuasive salesman. The salesman shows him a beautiful overcoat, one that will keep him warm in one of the coldest winters that there has ever been in Saint Petersburg. He can’t really afford it still he ends up buying the overcoat, using all this savings.
Nikolai proudly shows his coat to everyone and receives a mixed reaction. Soon a lot of his identity is wrapped around this overcoat. What would happen if some day he loses his overcoat or it is taken away from him?!
Constantine Costi’s production of this tragicomedy is a strong one. Its useful to read the Directors program note before seeing this production. One quote: “Surreal, miserable, hilarious and vicious are all phrases we used to describe the motley sea of characters that inhabit this short story. In the eyes of Gogol, they represent the absurdity found in the everyday. Gloomy office workers, corrupt police officers and mindless businessmen are all refracted and stretched by Gogol’s vast imagination.”
The musical genre works well with this piece with the emphasis on jazz music. Musicians pianist Tate Sheridan and saxophonist Josh Willard played from seats in the front row stage right with Sarah Evans on double behind them. The songs- music by Rosemarie Costi, lyrics by Michael Costi each help to move the narrative forward.
The performances are all good. The play only has a cast of four. Only actor didn’t play multiple roles and that was Charles Wu who played the main role, Nikolai. Laura Bunting played a government official, Mashs the Tailor’s wife, a figure in the window and a very important person. Kate Cheel played another government official, Karolina the landlady and a police constable. Aaron Tsindos played yet another government official, Petrovich the tailor, a man in a hat, an officer, a superintendent, Ivan Abramovich and a Doctor.
Recommended, playing as part of the Company 25A season, THE OVERCOAT : THE MUSICAL is playing downstairs at Belvoir Street until I December 2018.
“Fifty is my first, Nothing is my second, Five just makes my third, My fourth a vowel is reckoned.”
Bring your children to Sydney Opera House to see this world premiere production delivered in a manner that is well beyond the world of the armchair treasure hunt, with its beautiful illustrations, provided by the book.
Local playwright Kate Mulvany has lovingly adapted British author Kit Williams’ children’s book, first published in January, 1987.
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