Tag Archives: Josh Quong Tart

DEAD CAT BOUNCE : IMMERSIVE THEATRE @ THE STABLES

Josh Quong Tart_Dead Cat Bounce_ Photo Brett Boardman_

As if their twenty year age gap wasn’t difficult enough, Matilda’s is fighting for space in Gabe’s  life along with his constant companions, misery, writerly angst and booze. She’s not convinced he’s over with his ex girlfriend and publisher, Angela, who is used to picking up Gabe’s  pieces.

If Gabe wants to get sober he’ll have to abandon his image as the tragic, self destructive writer drinking his way to oblivion. And if Angela’s really trying to let Gabe go, like her partner Tony needs her to, she needs to say goodbye to Gabe’s wretched cat that she is looking after.

That is a lot that goes on in Mary Rachel Brown’s play and it’s mostly about  what goes on internally, in the hearts and minds of its  characters. Continue reading DEAD CAT BOUNCE : IMMERSIVE THEATRE @ THE STABLES

DAVID HARE’S ‘JUDAS KISS’ @ THE OLD FITZ

 

“Some love too little, some too long/Some sell, and others buy/Some do the deed with many tears/And some without a sigh/ For each man kills the thing he loves/Yet each man does not die.” – Oscar Wilde: The Ballad of Reading Gaol.

Sensitively directed by Iain Sinclair this production by Red Line Productions of David Hare’s play THE JUDAS KISS would have to be one of the best shows on in town at the moment.

This compelling production is part of the Mardi Gras Festival and looks at the tragic fall of the great author Oscar Wilde.

The play was written in 1998 and Neil Armfield directed a landmark version at Belvoir in 1999 and more recently an overseas production starring Rupert Everett as Wilde.

Hare is regarded as one of the great contemporary British playwrights writers and it is a huge pleasure to hear his magnificent use of language and observe the confident, secure construction of his  play.

In the tiny intimate theatre it is as if we are a fly on the wall observing events. Act 1 is set on the 5th of April, 1895, in a room of the Cadogan Hotel in London, the night on which Wilde must decide whether to stay in England, and face imprisonment, or flee.

The Cadogan Hotel, set is plush red velvet curtains, lamps, chairs and tables and crowded with paintings (pick out the Whistlers and St. Sebastian).

After interval, Act 2 is set two years later, on the 3rd December, 1897, after Wilde’s release from prison, in the Villa Guidice at Posillipo, near Naples. This set is minimalist featuring a white backdrop , a chair and a white slab on which Galileo reclines as we enter.

The production features terrific period costumes, designed by Antoinette Barbouttis . Continue reading DAVID HARE’S ‘JUDAS KISS’ @ THE OLD FITZ