Tag Archives: Jennifer Horvath

HERE AFTER : A MASTERPIECE OF MODERN DANCE

HERE AFTER  is a finely woven tapestry of contemporary dance. It asks a lot of its ensemble of six dancers, who are on stage continuously for its hour length. Jennifer Horvath, Georgia Sekulla, Bree Timms, Abi Gasson and Karina Cruickshank were all accomplished and precise, with Maddie Tratt providing an additional and impressive solo.

The show however is a lot more than abstract patterns such as seems the case with much experimental dance. Various admirable elements – of lighting (Peter Rubie), sound, costume (Sally Andrews) and choreography – are tautly integrated around a cohesive sequence of life and death, bonded in an epic narrative of humanity responding to a life field beyond itself. The fluid variegated mix of innovative sometime original dance states range from the tribal and repetitive repetition of self-becoming or prostration of the start, to the ethereal operatic lyricism of the ending. The complex sound track by Paul Tinsley, consistently matched expressed emotions – even at maximum volume with human drama of “inner demons and angles” (program notes) it enhances, and does not substitute for, substance. Continue reading HERE AFTER : A MASTERPIECE OF MODERN DANCE

LIMITLESS DANCE COMPANY IN ‘SE7EN’ @ THE NIDA PLAYHOUSE

Featured image – Olivia Kingston, Raegan Williams and Alex Warren in Limitless Dance Company’s ‘Se7en’ at the NIDA Playhouse.

When does synchronised motion stop mimicking a machine and, instead, move like a flock of birds in flight?

When do the constituent parts of animate limbs stop being mere tendon, muscle and bone and, instead, soar like the wings of an eagle?

When do individual dancers stop moving in brilliant unison and, instead, let one another’s individuality brilliantly move each dancer into living intercourse with the whole, much like the wind can rouse the leaves of a tree to leap, each leafy blade shimmering the other? Continue reading LIMITLESS DANCE COMPANY IN ‘SE7EN’ @ THE NIDA PLAYHOUSE