Presenting the noble artistic credentials of one of the most evil group of men in history to the knowledgeable Old Fitz theatre crowd is a very clever conceit. Theatre crowds generally have artistic interests. They frequent cinema, galleries, music venues and museums and would not expect themselves to be confronted with the vile Nazis displaying their affection, knowledge and desire for the various genres of creativity. Take these themes and meld them with some fine writing, directing and strong performances and you have impressive theatre.
The opening monologue introduces the idea of the humanity of these creeps but then slowly breaks their personalities down into their foibles, prejudices, vanities and pathetic weaknesses. The play runs at a frenetic pace as it presents the history and examines what art was considered suitable and what art was declared degenerate. Narrator Megan O’Connell presents a timeline of major events starting with the groups’ disillusionment with the state of their country in the aftermath of World War 1 and how they coalesce into a group that rides on bigotry and injustice to lead Germany and then invade large swathes of Europe. Simultaneously the actors present scenarios of their artistic interests or those foisted on them by Hitler’s dominant personality and his particular taste in art, music and architecture. Continue reading DEGENERATE ART @ THE OLD FITZ→
Presented by Ensemble, DREAM HOME is the latest offering from David Williamson. Someone I met at the show compared Williamson’s comedies to seventies sitcoms: funny, if a little predictable and out of date. I have to admit, that was a perfect description, all the play needed was a laugh track.
The premise of a young couple buying their first apartment in Sydney is promising, but some of the antics that follow are what you would expect: neighbours from hell starting petty disputes over car spaces, and frisky neighbours who are looking for a little on the side. Paul (Guy Edmonds) and his pregnant wife Dana (HaiHa Le) are barely settled in their new home when the other residents of the apartment block come knocking, much to their annoyance. When one neighbour leaves, another quickly takes their place, with the couple never getting a moment to themselves.
“Headless body found in topless bar” is just one of many tabloid newspaper headlines created during the long life of media mogul Rupert Murdoch, now brought vividly to life in the Melbourne Theatre Company’s production of David Williamson’s play RUPERT, directed by Lee Lewis.