It’s time to laugh, Sydney! No more thinking. No more worrying. We all need to escape. But where to? Somewhere off the coast of Australia, lies an island… a mysterious place where wild beasts roam, parodies run wild, and appropriateness is thrown out the window!
Trevor Ashley’s adults-only Jurassic musical comedy returns to Sydney Opera House for 12 shows only from 30 November to 12 December.
From The Lion King to Love Island, no one is safe! This critically acclaimed riotous musical comedy takes no prisoners. Expect ridiculous puppets, song parodies and a send-up of every movie ever made on or near an island – all brought together by the multi-award (losing) team behind Fat Swan, Little Orphan TrAshley and the smash hit The Bodybag. Continue reading THE LYIN’ QUEEN TO RETURN TO THE SYDNEY OPERA HOUSE→
The starting point to Nick Enright’s DAYLIGHT SAVING is unexceptional. A forties something North Shore married couple, Tom and Felicity, are struggling to find time together. Tom, a high profile sports agent, is always travelling overseas to cater to the whims of his clients. He is about to head off again and Felicity- nicknamed Flick- chides him, once more, with feeling.
Enright packs in plenty of ‘red herrings’, interesting plot lines, farcical situations, quirky characters and zingy one liners to keep audiences well entertained to a very neat finishing line.
This latest revival of one of Enright’s most popular works, first performed at Kirribilli’s Ensemble theatre in 1989, is given a warm, polished, vibrant production by Adam Cook who was a close friend of the late, master Australian playwright. Continue reading Daylight Saving→
In stark, and it has to be said refreshing contrast to the recent radical approach by other directors to classic works, Adam Cook plays his Doll’s House with a very straight bat. The play is performed in its time period and the plot-lines are strictly adhered to in his concise adaptation. His creative team, designer Hugh O’Connor, and lighting man Gavan Swift bring the play’s world vividly to life.
The hallmark of this production is how strongly the bold, cathartic nature of Nora’s journey is conveyed. Leading a uniformly strong cast, Matilda Ridgway as Nora takes the audience all the way with her to her chilling epiphany. It is then when Nora realises that she has spent her entire playing roles, being the dutiful child, the sweet wife, the doting mother and it is now time for her to throw off all her roles and find her own way in the world.
Iconclastic Nora exits stage left, leaving Torvald transfixed, and the other characters left to play out their roles, secure in their insecurities. Torvald (Douglas Henshall) will continue to be the straightlaced bank manager. Nils Krogstad (Anthony Gooley) will remain a shifty character, trying to get the best deal. Nora’s childhood friend Kristen Linde (Francesca Savige) will live in a compromised life with Krogstad so that she can keep the debtors from her door. Ever dutiful family friend Dr Rank (Barry French) has decided to face his final days alone, a proud man to the very end. The maid Helen (Annie Byron) will continue to be the good natured maid and carer to the two children.
Another strong showing by Sport for Jove, A DOLL’S HOUSE opened at the Reginald Theatre, Seymour Centre on Saturday July 18 and plays until Saturday August 2..
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