THE ROYAL BALLET IN ALICE IN WONDERLAND
Bold, bright, colourful and exotic this is a wonderful revival by the Royal Ballet of Christopher Wheeldon’s ALICE IN WONDERLAND first seen in 2011. It is part of the Royal Opera House 2017/18 Live Cinema Season. Visually stunning it showcases some fabulous theatrical effects, wonderful dancing, and Wheeldon’s inspired, outstanding choreography. The work feels, at times, perhaps a little dominated by set and visual design values but it is a stunning visual feast and full of delightful whimsy.
Ballet lovers should take this opportunity to see this screening of the Royal Ballet’s production of Sir Peter Wright’s version of Tchaikovksy’s /Petipa’s THE NUTCRACKER. This Royal Ballet production was particularly special as it was part of Sir Peter Wright’s 90th birthday celebrations.
This is terrific family fare, a quite traditional and enchanting production with some technically AMAZING dancing, particularly in the second act.
This glorious, glittering production marks the 50th anniversary of this landmark work, choreographed by Sir Kenneth MacMillan, now regarded as a classic by the Royal Ballet. It gets the 2015/2016 Palace Opera and Ballet season off to a tremendous start.
With its sumptuous sets,including a portcullis for the outside of the Capulet mansion, looming scary angels for the crypt scene and Byzantine like paintings for the church scenes, very detailed and ornate costumes, wonderful lighting and the lush, lyrical, achingly passionate Prokofiev music, the Royal Opera House orchestra under the enthusiastic energetic baton of Koen Kessells were sensational, this is a splendid version. This ballet feels as fresh as if it was created yesterday, and MacMillan’s extraordinary, very detailed and at times extremely difficult choreography dazzles. Continue reading PALACE OPERA AND BALLET PRESENTS THE ROYAL BALLET IN ROMEO AND JULIET→
This particular version by Sir Anthony Dowell for the Royal Ballet is now almost thirty years old. I have previously seen it with other casts, both live in London at the Royal Opera House and on screen, and it is still enthralling.
I have just been privileged to see a stunning, lavish and opulent production by the Royal Ballet of Sir Kenneth Macmillan’s masterpiece MANON. McMillan’s work was photographed with plenty of close ups so you feel as if you are almost on stage with the Company.
This is the 40th anniversary year for this ballet and quite a few companies around the world have included it in their 2014 subscription program, including the Australian Ballet earlier in the year.
MANON tells a cautionary tale of love, greed and corruption, a major three act work requiring a huge cast and the Royal Ballet, the Company with which it was originally created, did itself proud. Continue reading The Royal Ballet: Manon→
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