This play, written by actor Michael Cristoffer, had its premiere on Broadway in March 1977. It went on to win that year’s Pulitzer Prize for Drama as well as taking out the Tony Award for Best Play.
Cristoffer’s play cuts deep. Its subject is that old dreaded subject which us humans have so much trouble dealing with – the impermanence of life and its fragility. And of-course, what goes hand in hand with this – the terrible losses that we suffer along the way.
THE SHADOW BOX is well suited to be performed ar such an intimate venue.
The play takes place over twenty four hours, in three separate cottages on the grounds of a large hospital, in the United States. Within the three cabins are three patients – Joe, Brian and Felicity, who are each to live with their respective families at the final stage of their life, as their treatment has been discontinued. Continue reading THE SHADOW BOX @ THE OLD FITZ→
On Friday, 30th January 2015, Steve Rodgers was awarded the inaugural Lysicrates Prize, receiving a full $12,500 Griffin Theatre Company commission, as voted by audience at Verbrugghen Hall, Sydney Conservatorium of Music. The Lysicrates Prize was founded by Patricia and John Azarias, in conjunction with Griffin Theatre Company and the Royal Botanic Garden, Sydney. Mike Baird – Premier NSW, Luke Foley – NSW Opposition Leader, and Industry Leaders were amongst the audience.
Steve Rodgers was amongst three finalists who were shortlisted to submit the first act of a new play. The two runners-up Justin Fleming and Lally Katz each received a $1,000 cash prize. This innovative new Australian playwriting competition was inspired by the imminent restoration of an historic monument in Sydney’s Royal Botanic Garden: The Choragic Monument of Lysicrates.
Aged between 15 and 50, five women share the stage at Belvoir Downstairs at the moment. No, that’s not quite right. Five performers share the stage as one woman. No, that’s not quite right either. They are all the one character. And they don’t really share the stage, they coexist on it. Actually, there’s a lot of beer in this production, I may be confused.
IS THIS THING ON, directed by Kit Brookman & Zoë Coombs Marr, is the story of Brianna. Misnamed by a long gone mother for the song ‘Rhiannon’, she has a misplaced drive to make people laugh. We meet her 15 year old self at her first stand up gig: a misfit staring into the spotlight. Things don’t improve much as we meet her at about 20, 30 and 40. Or when we encounter her 50ish self, trying to make a comeback after a spectacular implosion. This a convoluted and time shifted production with these 5 Briannas co-existing and interacting with each other. Continue reading Is This Thing On?→
A conniving, narcissistic, backstabbing bitch is the central character in the final play in David Williamson’s Jack Manning trilogy. Bryony (Catherine McGraffin) has been appointed as CEO of a charity and her modern corporate methods cause conflict with the staid, long term members of the organisation. The harmonious operation of the organisation has become dysfunctional to the extent that the board requires a community conference in an attempt to restore balance.
The marvelous Mia Wasikowska is carving out quite a remarkable career overseas but back on home turf that career seems to magnify. Distinguishing herself as a director for her segment in TIM WINTON’S THE TURNING, just released on DVD through Madman, she now stars in the long gestating screen adaptation of TRACKS (M), playing the indefatigable Robyn Davidson who dropped into Alice Springs, 1975, with the idea of crossing the desert, a two and half thousand kilometres odyssey west from the dead heart to the Indian ocean.
Robyn is happiest without humans, holing up with Diggity, her loyal canine companion, but she knows she needs transport and funds. The former comes in the shape of four wild camels that she earns through months of backbreaking labour first with a hard Austrian émigré and camel breeder, Kurt Posel portrayed by Rainer Bock, then with the Afghani camel farmer Sallay Mahomet played by John Flaus.
“It is in everyone’s nature to try and protect yourself and the people you love, but I think taken to the absolute extreme, that can be quite isolating, counterproductive and even dangerous. Ayckbourn has done a brilliant job in exploring that theme in a hilarious play. It is so funny and so dry and I think it’s one of his best works.” Anna Crawford, Director, NEIGHBOURHOOD WATCH
A well crafted cautionary tale which catches audiences ‘on the hop’, often not knowing whether to laugh or to cry, awaits theatre patrons who make their way across you to Kirribilli’s waterfront Ensemble Theatre.
It is one thing for brother and sister pair Martin and Hilda to start up a Neighbourhood Watch group after an unpleasant incident takes place shortly after they move in to the plush new Bluebell Hill housing estate which is unfortunately situated close to a Council estate, populated by some less than charming individuals.
It is something altogether more bizarre, after tensions escalate between the group and riff raff from the council estate, that a mere fortnight after the Neighbourhood Watch group’s first meeting, Bluebill Hill has become a full-on gated community with security fences and armed patrols. The committee members, no longer believing in the ability of the police to enforce security, have taken the matter into their own hands and become their own erstwhile vigilante group.
It is a dark world that Ayckbourn shows us, where people’s small mindedness and pettiness dominate. Anna Crawford’s production, (the play had its world premiere in Scarborough in the UK in September, 2011),serves this incisive play well. Designer Amanda McNamara and lighting man Peter Neufeld set up the play’s world well, and Crawford wins strong performances from a good cast.
Brian Meegan and Fiona Press play the leads, Martin and Hilda, a rather precious, conservative pairing who get rattled far too easily.
Bill Young and Jamie Oxenbould have the most colourful roles ,playing ‘headcases’ former security guard Ron and unemployed engineer Gareth who almost take a para-military approach to the escalating conflict.
Douglas Hansell plays the menacing, volcanic Luther. Lizzie Mitchell gives a touching performance as Luther’s mistreated, fragile wife, Magda.
Olivia Pigeot performs the role of the promiscuous, sharp witted Amy- unfaithful wife to Gareth- with verve, as does veteran performer Gillian Axtell who plays Bluebell Hill gossip queen, Dorothy.
Recommended, the Australian premiere production of NEIGHBOURHOOD WATCH opened at the Ensemble Theatre, 78 McDougall Street, Kirribilli, on Wednesday 18th December and runs until Saturday 24th January, 2014.
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