Tag Archives: Faith Jessel

EARTH AND SKY – MURDER, MYSTERY AND LOVE, THEATRE IN FILM NOIR STYLE

EARTH AND SKY, by Douglas Post, is a gripping and highly entertaining love story/murder mystery, very much in the film noir genre presented by Castle Hill Players. Yet again this company has excelled itself in its production. Here we are drawn into the gritty underlife of Chicago with its underbelly of murderous criminals, seedy bars and police with hats drawn low. It is a haunting mystery, infused with humour, intrigue and even the poetry of Dylan Thomas.

From the opening scenes, the play’s heroine, Sara McKeon, played with fresh enthusiasm and dogged determination by Kate Jirelle, is thrown into a confusing world of contradictions and danger. She confronts all odds with a certain naivety in her search for the truth surrounding the brutal murder of her lover David Ames, played by Jason Spindlow. Spindlow has a wonderfully seedy, sleezy look, he is an enigma – is he innocent or guilty?

Ben Freeman in strong in his role as the streetwise Detective H.S Weber and the almost bad-cop, good cop relationship works well with Blake Michael Paish  as his offsider Detective Al Kersnowski. These two seem more intent on linking David to a previous crime that solving his murder. Continue reading EARTH AND SKY – MURDER, MYSTERY AND LOVE, THEATRE IN FILM NOIR STYLE

THE DIARY OF ANN FRANK : A CLASSIC REVISITED

 

THE DIARY OF ANNE FRANK as adapted by Goodrickh and Hackett is a timeless story of a young girl’s struggle to live, hope and love despite the dire circumstances in which she and her family find themselves. This Pulitzer Prize and Tony Award winning production put on by Castle Hill Players is both tragic and suspenseful, heart-warming and even humorous at times.  Director Faith Jessel and the cast do an excellent job of maintaining the tensions among the characters throughout the production. Most of us know how the story ends yet we find ourselves living the lives of characters, wondering how we would survive and hoping somehow it will end differently – liberation was, oh, so close.

 

Genevieve Papadopoulos gives a vivacious and touching performance as the high spirited, very articulate Anne. We see her grow and change and there is a most sobering moment at the end when she says directly to the audience that she believes in the fundamental goodness of human nature.

Dave Kirkham is her devoted and gentle father Otto who portrays great fortitude and patience keeping the family together through their many trials and struggles living together for over 2 years in a cramped attic. Anne has a closer relationship with her father than her tense and protective mother Edith, played by Judy Jankovics, as the two struggle to understand each other.

David Schad plays the flawed character of Otto’s business partner, Mr Van Daan. He, and his at times selfish wife, played by Kim Schad, along with their son Peter, played by Yarno Rohling are generously given refuge in the attic. There is often stress between the two families as personal needs almost overtake the common good. There is however, also a delightfully contrasting scene between Anne and Peter when Anne decides it is time to be kissed by a boy.

David Hill plays Mr Dussell, the family dentist who seeks refuge with them in hiding. He is a difficult man used to his own space and there are some strong exchanges between he and Anne as they share living quarters.

Nick Hoschke and Christina Ulich play Mr Kraler and Miep Gies, two of Otto’s previous work colleagues who live ‘outside’ and provide essential food and connect the families with news of the war. Theirs is a very brave story as they risk death hiding the families.

Brittany Macchetta plays Anne’s more reserved, calmer sister, Margot and though never really explained, there is not a close bond between the sisters.

Steve Winner’s set crammed with all the families need to survive most effectively portrays the difficulties and lack of privacy of the living arrangements. Costumes, lighting, sound and projections heighten the reality and atmosphere of the terrible situation in Nazi occupied Amsterdam.

In this remarkable true story we discover hope and courage during a time of horror and terrible cruelty. This story asks each of us to reflect on the value of human life and the choices we make.  Recommended viewing, playing at the Pavilion Theatre, Castle Hill Showground till 12 October 2019.

 

CASTLE HILL PLAYERS PRESENT ‘CALENDAR GIRLS’ @ THE PAVILION THEATRE

Featured image – Megan Hipwell, Leigh Scanlon, Margaret Olive and Annette Emerton in CALENDAR GIRLS.

CALENDAR GIRLS by Tim Firth comes from the popular 2003 film of the same name which starred Helen Mirren and Julie Walters.

The play is based on the true story of a Yorkshire women’s club that earned money for its village hospital by having members pose nude on an annual printed calendar. Presented by Castle Hill Players the show is a highly entertaining start to their 2017 season.

CALENDAR GIRLS is about friendship, loss, the strength and beauty of older women and community. The audience greatly appreciated the entire production with intakes of breath at the “nude” scenes and applause for the bravery of the actresses. There is comedy throughout but the jokes are gentle and the more serious moments are played with deep feeling and sensitivity. Continue reading CASTLE HILL PLAYERS PRESENT ‘CALENDAR GIRLS’ @ THE PAVILION THEATRE