
The starting point to Nick Enright’s DAYLIGHT SAVING is unexceptional. A forties something North Shore married couple, Tom and Felicity, are struggling to find time together. Tom, a high profile sports agent, is always travelling overseas to cater to the whims of his clients. He is about to head off again and Felicity- nicknamed Flick- chides him, once more, with feeling.
Enright packs in plenty of ‘red herrings’, interesting plot lines, farcical situations, quirky characters and zingy one liners to keep audiences well entertained to a very neat finishing line.
This latest revival of one of Enright’s most popular works, first performed at Kirribilli’s Ensemble theatre in 1989, is given a warm, polished, vibrant production by Adam Cook who was a close friend of the late, master Australian playwright. Continue reading Daylight Saving