Tag Archives: Ella Prince

BELVOIR ANNOUNCES PART ONE OF SEASON 2021

”Stop Girl’ Pic by Daniel Boud

Belvoir is pleased to announce the productions making up the first part of their 2021 season. In recognition of the unpredictable times at hand, the first  announcement reveals the shows that will take to the stage from February to September  2021, with the second announcement to be shared in early 2021. 

Comprising of four brand new shows and the welcome return of two ‘all-time best’ shows,  Belvoir’s 2021 season continues to celebrate outstanding established and emerging voices and great Australian storytelling, as we all optimistically turn to a new kind of normal. 

BELVOIR’S 2021 SEASON – PART ONE 

FANGIRLS: SAT 30 JAN – SAT 20 FEB, AT THE SEYMOUR CENTRE 

Back after an overwhelming sell-out debut season is thrilling new musical Fangirls. Written by the superb young talent, Yve Blake, the fun is bolstered by a vibrant and eclectic cast who perfectly embody the frenzy of the digital spaces young fangirls inhabit. It returns as an award-winning show, as Winner of Best Production of a Mainstage Musical at the Sydney  Theatre Awards and Best Musical or Cabaret at the Queensland Matilda Awards. 

Book, music and lyrics by Yve Blake 

Director Paige Rattray 

Associate Director Carissa Licciardello

With a cast including Aydan, Chika Ikogwe, Shubshri Kandiah, Ayesha Madon and James  Majoos, Karis Oka 

STOP GIRL: 20 MARCH – 25 APRIL  

The premiere of a new play from Walkley Award-winning ABC foreign correspondent Sally  Sara. A fictional drama that asks how we get back to ‘normal’ life after being ripped away from it, Stop Girl is a ratbaggy, wise play told through the unerring eye of one of the country’s great journos. 

Written by Sally Sara 

Directed by Anne-Louise Sarks 

With a cast including Sheridan Harbridge 

A ROOM OF ONE’S OWN: 6 MAY – 23 MAY 

Back by popular demand, the magnetic Anita Hegh will reprise her role in this return season of 2020’s production A Room of One’s Own. Rippling with passion, Virginia Woolf’s A Room of  One’s Own is arguably one of the finest pieces of writing in the last hundred years. Woolf’s essay has been painstakingly adapted by Carissa Licciardello and Tom Wright, and stars Anita  Hegh and Ella Prince. 

Written by Virginia Woolf 

Adapted for the stage by Carissa Licciardello and Tom Wright 

Directed by Carissa Licciardello 

With a cast including Anita Hegh, Ella Prince 

THE CHERRY ORCHARD: 29 MAY – 27 JUNE 

It’s an uncertain time. Change is coming, you can sniff it in the air. Chekhov’s great, last play needs no embellishment to describe our times. A richly talented cast from today’s Australia,  including Pamela Rabe and Keith Robinson, in a classic as funny as it is profound. This promises to be one of the highlights of 2021. 

Written by Anton Chekhov 

Directed by Eamon Flack 

With a cast including Nadie Kammallaweera, Pamela Rabe and Keith Robinson 

MISS PEONY: 3 JULY – 1 AUGUST 

A brand-new comedy from the writer of the nationwide smash hit Single Asian Female.  Michelle Law’s (SBS’s Homecoming Queens) Miss Peony is a glitzy, glamorous and slightly unhinged comedy about a Chinese-Australian beauty pageant, the competitive advice of a  ghostly grandmother and being caught between two generations and two cultures. 

Written by Michelle Law 

Directed by Courtney Stewart 

With a cast including Michelle Law, Mabel Li, Shirong Wu 

AT WHAT COST?: 7 AUGUST – 5 SEPTEMBER  

A brilliant new play from a brilliant Palawa voice, Nathan Maynard, the 2019 Balnaves Fellow.  A robust, clear-eyed story set in Tasmania, now – Dan’s got enough on his plate between keeping a young family together and his responsibilities to land and people. But every year  more and more folk are claiming to be Palawa too. Folk no-one’s heard of until now, who haven’t been ‘round before. Are they legit? Or are they ‘tick-a-box’? Who decides? And how?  A trip for old mob and new back into a knotty past. 

Written by Nathan Maynard 

Directed by Isaac Drandic 

Indigenous Theatre is supported by the Balnaves Foundation. 

Belvoir Artistic Director, Eamon Flack said: “We’re always talking about change here at  Belvoir, but no-one could have foreseen a year like the one we’ve had! It’s particularly rocked our community of artists. But we’re responding to some pretty massive challenges the way a  theatre should – on our stage. We’re packing all the energy of the moment into Part one – some reminders of what we’ve always done well, and some bold, contemporary voices too.  Onwards!” 

#ME TOO WITNESS: A GIRL IS A HALF-FORMED THING

Production images: Clare Hawley

“Speaking as a non actor…”  my friend began as we stood de-briefing over the roar of traffic after A GIRL IS A HALF-FORMED THING playing at Kings Cross Theatre.  I knew what was coming and it’s as good a place as any to begin.

The play, ripped from the pages of the book by Irish writer Eimear McBride, is a marathon of learned lines: one performer, 70 minutes, barely a pause and words that jumble and fuss in an effort to make themselves understood.  It’s impressive but it’s not the thing.  The thing is how those words create a narrative, a gutpunch story that travels with an immense weight of harm, historic and present, to alert the future. Continue reading #ME TOO WITNESS: A GIRL IS A HALF-FORMED THING

THE SHADOW BOX @ THE OLD FITZ

This play, written by actor Michael Cristoffer, had its premiere on Broadway in March 1977. It went on to win that year’s Pulitzer Prize for Drama as well as taking out the Tony Award for Best Play.

Cristoffer’s play cuts deep. Its subject is that old dreaded subject which us humans have so much trouble dealing with – the impermanence of life and its fragility. And of-course, what goes hand in hand with this – the terrible losses that we suffer along the way.

THE SHADOW BOX is well suited to be performed ar such an intimate venue.

The play takes place over twenty four hours, in three separate cottages on the grounds of a large hospital, in the United States. Within the three cabins are three patients – Joe, Brian and Felicity, who are each to live with their respective families at the final stage of their life, as their treatment has been discontinued. Continue reading THE SHADOW BOX @ THE OLD FITZ