Griffin Theatre Company has announced Declan Greene as the next Artistic Director of the Company.
The first playwright to be appointed to the position in nearly 20 years, Declan’s creative practice is closely aligned with the company’s ethos of creative risk-taking and courageous playwriting. Griffin is Australia’s leading new writing theatre, dedicated to nurturing Australian playwrights and bringing ambitious, bold and urgent Australian plays from page to stage.
Bruce Meagher, Chair of the Griffin Board said, “Declan Greene is one of the most exciting talents on the Australian theatre scene today. He is a captivating writer, a nuanced director and an insightful dramaturg. It is particularly apt that a playwright should take on the artistic leadership of Griffin, which is the home of new Australian writing. Declan is no stranger to the Griffin stage and his intelligence, passion and playfulness have delighted audiences each time they have packed the SBW Stables to enjoy his work. The Board is confident that he will build on the brilliant contribution of Lee Lewis and take Griffin to even greater heights of artistic excellence.”Continue reading GRIFFIN THEATRE COMPANY APPOINTS DECLAN GREENE AS ITS NEW ARTISTIC DIRECTOR→
Featured image – Ash Flanders and Megan Wilding in Lui’s new play. Production photography by Daniel Boud.
This is the new work by indigenous playwright Nakkiah Lui. It is a very different style of play to Black is the New White which was written in a naturalistic style. BLACKIE BLACKIE BROWN : THE TRADITIONAL OWNER OF DEATH is a sort of comic book come to life, a superhero revenge story which mixes live action theatre with stunning visuals and animation. The common feature to both plays is that Lui tackles serious subjects with a comic, satirical touch.
The storyline follows Dr Jacqueline Black who is an Aboriginal archaeologist working on a dig somewhere in the Australian bush. Uncovering a mass grave, she picks up a skull and is suddenly seized by a transcendent power.
Dr Black’s great-great-grandmother speaks to her from beyond the veil. She speaks of the white men who brutally massacred her family. She speaks of that sin being passed down through the generations. Dr Black tasks Jacqueline with exacting revenge – she must kill all 400 descendants of the men who murdered her ancestors. A cold-blooded vigilante is born: Blackie Blackie Brown, the traditional owner of death.Continue reading BLACKIE BLACKIE BROWN : THE TRADITIONAL OWNER OF DEATH→
Production photography by Rupert Reid Photography.
Darkness edges the two figures who appear before us. The shadowy stage lights have crept up to wash the tiny downstage area with a yellow tinged late afternoon falling. They are hard to make out these two schoolkids with their bored skatepark slouching. The effort of peering seems to blur them more.
They will pull us, disturbed and fearful for them, into their fragile, adolescent lives in ninety minutes of engrossing theatre yet the playwright, director and cast of MOTH (atyp) conspire to be unreliable narrators. Claryssa and Sebastian will never really take shape. They will flutter just beyond our understanding and will beat their wings wildly to warn us away. At the end of the play, as these creations melt back into darkness and we emerge blinking into the light, we are slow and panicky in our anxiety for the young people around us and the world we are leaving them. Continue reading MOTH : FRAGILE ADOLESCENT LIVES EXPOSED IN DECLAN GREENE’S NEW PLAY→
Playwriting Australia, the national organisation supporting new writing for the stage, is presenting the inaugural Chain Play, a celebrity fundraising gala crammed with the best playwrights and theatre artists from around the country.
Twenty of Australia’s most exciting and celebrated playwrights will join forces to offer Sydney audiences a raucous night of group creativity.