It’s forty years since Eraserhead fixed David Lynch into the cultural landscape. We know what he’s been doing since then, especially lately with the new episodes of Twin Peaks, but what came before?
DAVID LYNCH : THE ART LIFE goes some way in defining Lynch’s formative years. Although directed by a trio of aficionados, Jon Nguyen, Rick Barnes and Olivia Neergaard-Holm, DAVID LYNCH: THE ART LIFE is pretty much a self portrait, with Lynch narrating anecdotal stories of his childhood, school days, early days and film work right up to the shooting of Eraserhead.
Lynch talks of an idyllic upbringing, with early memories of sitting in a mud hole with a pal. Into adolescence, he recalls what most boys would identify with,- “I was real busy doing things my mother didn’t want me doing.” Continue reading DAVID LYNCH : THE ART LIFE→
A night filled with quirky characters and situations generating plenty of humour is in store for you if make your way across to see the current Ensemble show.
With THE GOOD DOCTOR, Neil Simon mines the work of Anton Chekhov and comes up with a collection of appealing vignettes, tinged with absurdism.
The pieces are excellent ‘vehicles’ for actors, representing good opportunities for the cast of five to show their range and flair. And with the assist of Bates’ astute direction, that’s just what they do.
In A Defenceless Creature, Kate Raison was on fire as an uptight ‘madwoman’ harassing a conservative, frazzled banker for some money for her ailing husband. As the gruff banker who soon loses his patience, David Lynch’s stolid manner was a great counterpoint to Raison’s bluster.
In Surgery, Nathan Wilson was wonderfully manic as an earnest dentist using some very old, large, menacing instruments and doing more damage than good to his patient.
In The Seduction, Adriano Cappelletta (who has temporarily stepped in to the main role as the narrator/Chekhov figure as well as a number of other roles at close to the last moment whilst Glenn Hazeldine recovers from a car accident) was suitably charismatic and creepy as a compulsive seducer of married woman, with Chloe Bayliss equally convincing as his latest demure, coy victim.
In the more reflective Too Late For Happiness, David Lynch and Kate Raison poignantly play out a hopeful meeting between a lonely older man and woman.
The least convincing piece was The Audition in which Chloe Bayliss plays an actress who has walked four days from Odessa to Moscow to audition for a new play by her favourite playwright (Chekhov) and is more than a little starstruck. The audition sees her recite passages from The Three Sisters. This piece felt a little out of place and heavy, and came across a bit flat.
The current production represents a milestone for the Company. It is the last production that Bates is directing whilst in the position of Artistic Director (for a few years now jointly with Mark Kilmurry, who takes over solo in 2016), a position she has served for thirty years. During her time, Bates has set the set bar high; theatre patrons have had the expectation when they go to the Ensemble that they will see entertaining and often thought provoking plays that will be given worthy productions. Hopefully the high standard will continue as Kilmurry takes over full reigns.
Recommended, Sandra Bates’ production of Neil Simon’s THE GOOD DOCTOR opened at the Ensemble Theatre, Kirribilli on Wednesday 2nd December and is playing until Sunday 17th January. The production then travels to Belrose’s Glen Street theatre where it will play for one week between the 19th to the 24th January 2016.
David Lynch’s innovative nineties television series is back on Blu-ray to haunt an entirely new audience! While it’s feasible that there’s the odd person over thirty-five years of age out there that didn’t see the Twin Peaks series when it was first televised in 1990, it’s unlikely that they are unaware of the cultural run-off from the groundbreaking show. Catchphrases like ‘She’s dead, wrapped in plastic’ and ‘Who killed Laura Palmer?’ adorned T-shirts, fans held coffee-and-donut parties, and large sections of the world went quiet for an hour every week. There were also several books published, some extremely funny and knowing indeed, like the Twin Peaks Tourist Guide with an ad for the local taxi service with a blind driver who always travels with his psychic brother (in actuality David Lynch and co-creator Mark Frost). Continue reading Twin Peaks→
SYDNEY REVIEWS OF Screen + Stage + Performing Arts + Literary Arts + Visual Arts + Cinema + Theatre +