Tag Archives: Circa


The world-acclaimed contemporary circus arts company Circa this week announced its remarkable program for the first four months of 2022, including 52 performances in 18 cities of eight productions across three continents and the launching of CircAbility, a program bringing participants from the disability community together to learn circus skills.

Circa Artistic Director Yaron Lifschitz said “Watching a brilliant team in full flight is a thing of great beauty. And it has been thrilling not only to see our acrobats leap and balance but to see the extraordinary efforts of our management, production, producing and engagement teams to bring this diverse and salutary season to the stage. The world is challenging and our work is uncompromising but we love the challenge.”

The company also confirmed the Governor of Queensland, Her Excellency the Honourable Dr Jeannette Young PSM as its inaugural Patron. Announcing the appointment, Circa’s Chair Michael Lynch AO CBE said, “We are delighted to welcome Queensland’s new Governor to be the inaugural Patron of Circa. We were proud to learn that accepting the role was one of Her Excellency’s first acts after being sworn-in as the 27th Governor of Queensland.”

Circa’s program for the first four months of 2022 – the equivalent of what for many companies would be an ambitious year of work – features three new creations, four tours and a suite of engagement and participation programs. Continue reading CIRCA ANNOUNCES EXCITING START TO SEASON 2022


This is the latest joyous, astonishing collaboration, their third,  between the Australian Brandenburg Orchestra and Circa that had the audience in raptures. Don’t miss it. The audience did not want to breathe or blink in case they missed something.

It is an inspired pastiche by Paul Dyer and Yaron Lifschitz, with music from 16th and 17th-century England and featuring the beautiful voices of sopranos Jane Sheldon and Lauren Stephenson.

The set design by Yaron LifschitzLibby McDonnell and Richard Clarke is inspired by the idea of a clipped formal garden at a stately 17th-century mansion : a green covered area represents the manicured lawn .The middle area has tumbling mats , there is a large blank screen at the back used for projections and a huge hoop. Various sized white plinths (which also become props) are included and the Circa cast are carried on as statues hidden under drapes. Peter Rubie’s lighting design is dramatic and atmospheric.

It is perhaps, sort of like A Midsummer Night’s Dream – our Titania being Jane Sheldon who magically brings the statues ‘alive’. Sheldon appears in a striking red and black gown that includes a floral design. The Circa cast are costumed in silvery grey costumes that ripple in the light. Continue reading AUSTRALIAN BRANDENBURG ORCHESTRA AND CIRCA :  ENGLISH BAROQUE @ CITY RECITAL HALL


The Australian Brandenburg Orchestra and Circa have reunited for a glorious blend of Baroque music and circus at the City Recital Hall.

The performance was inspired by the Brandenburg’s ARIA Award-winning CD Tapas, which includes plenty of percussion, guitar and theorbo, and lashings of violin bravado, with music by Albéniz, Merula, Murcia, Martinez and more.

The two special guests were Baroque guitarist Stefano Maiorana from Rome and soprano Natasha Wilson from New Zealand making her Australian debut.

Circa’s artistic director Yaron Lifschitz’s choreography astutely blended sensational dazzling solos and breathtaking ensemble routines while always harmonising with the spirit of the music. It was a fluid combination of tumbling, gymnastics, balancing and aerial numbers , in various jaw-dropping sections making you blink and go “ I see it but I don’t believe it“. Dangerous dives, throws and catches were included as well as feats of strength and daring as well as sometimes triple-level human pyramids. Continue reading SPANISH BAROQUE : THE AUSTRALIAN BRANDENBURG ORCHESTRA AND CIRCA @ CITY RECITAL HALL



The young, fit, highly trained human body is capable of astonishing things.

Circa is a very exciting Brisbane based company.  HUMANS asks what it means to be human. How much weight do we carry? Who can we trust to support our load? It leads us to reflect on our lives, our loved ones, the burdens we carry and the physical and emotional strength it takes to overcome them.

Directed and created by Yaron Lifschitz, HUMANS, performed in the round at the Spaghetti Circus Big Top is a breathtaking combination of acrobatics, contortionism , tumbling, balancing, aerial trapeze, handstands and back flips.

Contact improvistaion, pyramid building, banquine and risley, and hand-to -hand partnering are also featured and strikingly blended with elements of contemporary dance.

At times the audience audibly gasps. There is no real narrative, rather a fluid sequence of various dazzling and surprising interactions combining various finely honed circus skills.

There is much use of haze and the lighting is delicately, warmly vibrant and atmospheric.

The scintillating cast of ten wear a uniform of autumn/russet coloured shorts/leotards and a semi -transparent black top. They wear ankle and/or wrist supports .Some have tattoos,

At the beginning the cast wear casual street clothes and have fun rolling acrobatically twisting in and out of them.

There is a fiercely tender and intimate sense of trust between the cast – some of the lifts, drops, throws ,twists and catches,  let alone the pyramid balancing, are extraordinary.

HUMANS is full of hot and sweaty bodies in explosive, movement , leaping, twisting ,twirling jumping, somersaulting ,precariously balancing , intimately entwined , swooping and swinging from a trapeze , dragged by the hair, sliding across the stage and  forming sculptural poses,

One hilarious sequence that had the audience in rapture was where the cast twisted and bent in almost impossible shapes attempting to lick their elbow. Floating balancing lifts in other sections are contrasted with this A breath, a clap, a bend of the knee,  a beautifully flexed and pointed foot or extended arm are all important .

With astonishing strength, grace, agility and integrity, each moment is seamlessly connected.

The relentless, pulsating soundscape varied from an assortment of popular songs to music theatre standards to techno thump to the sound of a single clap..

The almost hysterical standing ovation at the end was richly deserved.

Running time – 80 minutes without interval.

HUMANS, presented  by Circa, is playing atat the Spaghetti Circus Big Top,  Prince Alfred Square Parramatta up until 19th January.

Australian Brandenburg Orchestra and Circa present French Baroque @ City Recital Hall


This must be one of, if not the, major landmark concerts of the year. The extraordinary talents of both the Australian Brandenburg Orchestra and Circa are combined in an incredible feast of a concert.

This is a celebration of luminous, thrilling French Baroque music.The first half, for the Brandenburg Orchestra alone , is an aural feast in itself. We start with a bang with the huge Orchestra in Rameau’s Overture to Nais  which was played very fast but in a controlled manner by the Orchestra dressed in their formal, elegant, dark attire. Continue reading Australian Brandenburg Orchestra and Circa present French Baroque @ City Recital Hall

A Mini Festival of Circa

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Performing all week without break, seven incredible acrobats from one of Australia’s most acclaimed circus companies are showcasing their talent in A Mini Festival of Circa, hosted by the Merrigong Theatre Company. The performances are an eclectic mix of circus styles that cater for every demographic. 61 Circus Acts in 60 Minutes is a fast-paced, boisterous concoction of acts that makes for a thrilling family show. In Wunderkammer, the performers get a little racyin a hilarious and sexy cabaret-style piece.Then there is S- the feature show.

S is a stunning ensemble piece laced with high-level acrobatics that was inspired predominantly by the letter’s shape, grammatical function and sound. This theme is evident throughout, as bodies ebb and flow together blurring the lines between where one flawlessly sculpted physique begins and another ends. Continue reading A Mini Festival of Circa