It’s doubtful that you will be able to score a ticket to BLOOD BROTHERS playing at the Hayes Theatre at the moment. Why? Because Sydney theatregoers recognize a good thing when they see it … and see it … and see it. I’ve gone twice and so have my friends. Some have managed to scrounge a third ticket from somewhere. What’s so good about this production? Nothing in particular. Just … the cast, the music, the band, the lighting, the audio mixing, the set, the costumes and the rousing applause of a thoroughly satisfied audience.
Mrs Johnstone (to be) is taken dancing by a fancy man whose chat line includes how much she looks like Marilyn Monroe. Marriage and children ensue and the dancing dwindles until Mr Johnstone scarpers with another Marilyn lookalike while his missus is up the duff with twins. Manipulated by the childless Mrs Lyons into handing over one of the twins and swearing on a bible to keep the bargain, Mrs Johnstone’s supposed to see the child every day as she chars for the Lyons. Until she gets the unceremonious boot and a few grotty Pound notes! Continue reading Blood Brothers @ The Hayes→
The program for BEYOND DESIRE at the Hayes Theatre is styled as an Edwardian newspaper and what I have to report about the show is both good and bad. Firstly the bad news: I really did not take to this show … for me it was ‘Beyond Dire’. The good news: it’s highly possible that I am wrong. And why is this good news? Because I love the Hayes Theatre. They give new musicals a go, they encourage talent, and they never short-change their loyal audiences. They have longevity and resilience and I have seen some great stuff there this year. Plus … the wonderful Nancye Hayes is on the boards again.
BEYOND DESIRE is the name of booklet of poems written by the dead patriarch of the Pemberton family (Phillip Lowe), father to Anthony (Blake Bowden) and husband to Louise (Chloe Dallimore). Reporting of his demise is the headline story of the broadsheet program. “Man found Dead in London Hotel.” His sudden popping off is ruled a suicide but Anthony and his Oxford roommate, James (Ross Hannaford) believe that there is dirty work afoot.