Featured image – Fish ForThe Fight (1993) by Catherine Truman.
‘Catherine Truman is medium agnostic. Although she is enduringly fond of intricately carving English lime wood, her oeuvre extends into contemporary jewellery, objects, performance, choreography, public sculpture, installation, photography & moving image. She is a holistic maker – acutely aware of her process, while continually evolving her inquiry. Truman’s curiosity takes her & her makings into the anatomically unfamiliar – probing thresholds of human ‘being’.’
Melinda Rackham 2015.
Treat yourself – grab this stunning book , beautifully brought to us by Wakefield Press . This publication is a visual feast, drawing on Rackham’s generous conversations with Truman and her extensive research into her archives, photographs, process documentation, journals, hard-drives and drawings. The book has been illustrated with ravishing, enticing images, predominantly by Grant Hancock. ( This book should receive awards for the photos alone, and Rackham’s insightful writing is thoughtful, clear and concise).
This publication made me want to book a plane trip to Adelaide straight away and run to the Gray Street Workshop.
Catherine Truman is an established contemporary jeweller and object-maker whose works blur the disciplines of art and science. She is co-founder and current partner of the Gray Street Workshop – an internationally renowned artist-run workshop established in 1985 in Adelaide, South Australia, where she currently works and lives. Continue reading CATHERINE TRUMAN: TOUCHING DISTANCE