Dare to enter the dark and magical world of a 19th century circus as THE CARNIVAL OF LOST SOULS arrives in Sydney after leaving a dizzying path of mystery and mayhem for audiences along the way.
Nestled somewhere between the madness of a Tim Burton psychosis and the darkness of a David Lynch nightmare, THE CARNIVAL OF LOST SOULS tells the tragic tale of unrequited love & loss set amongst the splendour of a Victorian-era circus.
Featuring some of Australia’s best physical entertainers, musicians & singers, this uniquely original “circus noir” spectacle delivers a twisted bent on the familiar Circus, Musical Theatre and Cabaret stage genres. Backed by a highly emotive and original live music score by Platonic, audiences are taken on a brooding and mystical journey into the dark heart of a vintage circus fraternity where nothing is as it seems.
Written and produced by Graham Coupland, founder of Australia’s popular GANGSTER’S BALL,THE CARNIVAL OF LOST SOULS is a lavish production that showcases a breathtaking mix of performances from world‐class acrobats, aerial artists, illusionists and carnival characters, all whilst telling a tale of desire and betrayal under the classic Big Top.
Combined with Victorian Gothic and Steampunk-inspired costuming and stage design, a magical world comes alive where the line between life and death, real and unreal, is truly blurred.
THE CARNIVAL OF LOST SOULS will play at the Seymour Centre 16-18 November. To be in the running to win one of 2 free double passes email your details to firstname.lastname@example.org using LOST SOULS COMP as the subject by 6pm Thursday November 2nd. Only winners will be notified.
After a sold-out concert with his band at Sydney’s Factory Floor, Madison McKoy is getting back to basics with a piano and voice performance in his show YANK DOWN UNDER in their new late night cabaret style event 2 x 20 – September Edition.
In this concert you will be taken on a musical journey through Madison’s life growing up in America’s South.
You will hear about his days working in the tobacco fields, superstitions, church, family and haircuts. You might also recognise songs by James Ingram, Burt Bacharach and Madison himself.
Madison has performed in the musical “Buddy”, “Miss Saigon”, “Sweet Charity” and “What The World Needs Now”.
His film roles include ‘Blood Money”, “2:22”, “South Pacific”, and “Looking For Natalie Wood”.
Madison performs around the traps to promote his soul/rnb CDs “10th Child” (2005) and “Deep Within” (1999). This guy also runs and directs The 8-Week Choir and he teaches English to speakers of other languages.
Doors open at 9:00 pm on Thursday 14 September. Performance is between 10-11pm. $10- no booking fee. The event is 18yrs+
“The artists red light surrealism broke new ground, Body Maps socio political commentary on objectification and the beauty myth pulled no punches” – Otago Daily Times
“Original, Outlandish, provocative & not to be missed” Macandmae.com
Navigating who we are has never been tougher. Access is blocked with the promise of beauty & perfection. The personal highway to our soul is in a multi lane gridlock with diversions from the self at every exit.
Psychedelic, Satirical, Personal & Political storytelling that’s packed to the rafters with puns, punches & possibilities. BODY MAP is deep dive across the consumer bordered planet and into our inner being, highlighting our capacity to transform despite the odds.
Cult Pioneer of Australian performance art, Glitta Supernova brings her multi award winning show BODYMAP direct from the Dunedin Fringe Festival;
“BODYMAP exuded both vulnerability and subterranean glamarama” – Alt Media
DATE FOR YOUR DIARY :-
BODY MAP will take place on Saturday 27th May at the Giant Dwarf Theatre. Doors will open at 7.30 pm for an 8 pm performance.
Sydney’s Biggest Little Cabaret Festival is back, with a brand new round of performers every week, for four weeks during January, and ending with a Gala Final on 7th February.
Short and Sweet Cabaret Week Two had a superb assortment of talent on stage, with a huge range of cabaret style songs, including female burlesque, farce and comedy, dance and musical theatre. In under 100 minutes, seven superb ten minute performances were presented and with all the impressive talent, it was almost impossible to pick the winner.
(1) DRAG IN THE FOLK- starring Daniele Gianotti and the Dusha Balkana Dance Ensemble. Well costumed extravaganza as a bearded drag queen lip-synced an amazing octave range of songs, with comedic support by the one person dance ensemble.
If you’re a sucker for a good collection of original songs, daahlings, sweetie, one that takes you on a journey through different styles and moods, telling stories, plucking at your emotions and showcasing the virtuoso skills of the musicians and singer, then MEOW MEOW’S LITTLE MERMAID is the show for you.
If you’re also a fan of eclectic, hybrid blending of styles, ideas and form that mixes a classic children’s fairytale with cabaret satire creating a decent platform for allowing all manner of mayhem and moments of meaning to bubble to the surface, then definitely line up early for a good seat.
One of the highlights between each ten minute cabaret act, was the gorgeous Kay Armstrong as the MC. Armstrong contributed plenty of audience participation, great one liners, and some corny jokes, plus one crazy ballet number. All very entertaining and well worth seeing. Later in January, Kay Armstrong is also bringing her one woman show to Short and Sweet Cabaret 2016.
Sydney’s Biggest Little Cabaret Festival is back, with a brand new round of performers every week, for four weeks during January. Short and Sweet Cabaret has a new festival director this year, James Taylor (Royal Ballet London, The Magician’s Cabaret, El Circo, Risque Revue).
In under ninety minutes, six superb ten minute performances were presented from 7:30pm on Tuesday night. This week a unique and very entertaining evening of brand new cabaret was experienced, with a huge range of cabaret style songs, including comedy, dance and musical theatre. With so much talent on stage this week, very very hard to pick the winner. Continue reading SHORT AND SWEET CABARET 2016 WEEK ONE SYDNEY→
January is a lazy languid time in Sydney, so it’s slightly unfair that the art lover’s idylls should be rudely interrupted – but in the best possible way – by the massive feast of cultural events that is the Sydney Festival.
Like a refreshing summer shower, some of the festival’s most appetising events are fleeting, lasting for only one or two nights; others, like a lingering heatwave, bask the greater Sydney region in their glow for weeks.
This year’s 179 events spread from the CBD to the Blue Mountains, 85 of them are free and there are almost 500 performances in total. Eight of them have exclamation marks in their title (one even has two!!) so expect some very exciting shows!
As always with the Sydney Festival, it’s best to get in early: by the time you hear about them they have may have vanished or sold out.
Nick Nicolas and his colleague Natalie Bauer have come up with a winning show with their new production, ELVIS CABARESQUE VEGAS SHOW which I saw last night at Newtown’s warm, intimate cabaret venue, The Vanguard.
The audience, in the middle of the Queen’s Birthday long weekend, were in the mood for feel good, uncomplicated, risque entertainment, and that was what was delivered with panache.