A delightful and at times very moving Cabaret in The Day, the final of this year’s series, “ BROADWAY BABIES’ was at Mosman Art Gallery featuring the talents of maestro Glenn Amer and Adele Johnston.
The versatile, extremely impressive Amer needs no introduction to audience members of Cabaret in The Day. Johnston is a versatile artist excelling in a variety of genres including cabaret, musical comedy, opera, operetta, concert and lieder recitals. For this concert she was elegant in black and silver and – at least at the start- draped in a hot pink feather boa.
The second of the 2017 Cabaret In The Day season was the wonderful I’LL FOLLOW MY SECRET HEART, with maestro Glenn Amer on piano and starring Christopher Hamilton
Hamilton has appeared in many musicals and plays in both professional and community theatre including The Pirates of Penzance, Paris, A Song to Sing O!,Vice, Man of La Mancha, The Hatpin, The Producers, Sweeney Todd, Les Miserables, The Venetian Twins and narrating Peter and the Wolf.
This show was a great nostalgia trip, with the performance looking at the career and songs of two of Britain’s greatest 20th Century songsmiths – the dashing Ivor Novello and the ultra sophisticated Noel Coward. Both composers remain the ‘gold standard’ of wit and romance, their works evergreen favourites.
The show opened stirringly with Novello’s 1914 patriotic Keep The Home Fires Burning . Amer then told us a bit about Novello’s life (he was described as ‘ the British Valentino ‘ , terribly handsome, who wrote seven musicals – yet apparently couldn’t sing!) .
Hamilton, dapper and very elegant in black and gold with cravat and tie pin, then launched into the liltingly romantic I Can Give You The Starlight from the 1939 musical The Dancing Years. Also from that musical we then heard the romantic infectious Waltz of My Heart . We then learnt that between the Wars Novello moved to Hollywood where he worked as a script doctor.
Amer then swept into the swirling passionate, longing, yearning title song from the 1935 Glamorous Night .
We then jumped to Novello’s comic songs and Hamilton then, through gritted teeth, performed the biting, witty And Her Mother Came Too.
Amer then talked further about Novello’s luxurious, flamboyant somewhat scandalous gay life and his links to and influences upon Coward. Amer then played Someday My Heart Will Awake from Novello’s King’s Rhapsody.
We then heard more about the rise and rise of Coward and how Novello’s work generally went out of fashion and he sadly passed away in 1951.
Amer and Hamilton performed one of Novello’s most famous songs We’ll Gather Lilacs from Perchance to Dream (1945).
Hamilton swiftly changed from his black to a white dinner jacket while Amer talked more about Coward and his various auto)biographies, letters, plays and aphorisms.
Another duet was enchantingly performed I’ll See You Again. We then heard the title song of this particular show I’ll Follow My Secret Heart, again as a duet , which lead to more discussion about how both Novello and Coward were gay with Coward being more discreet about it.
Hamilton then launched into Cowards’ Mad About The Boy.
Amer then talked about how Coward moved internationally (Bermuda, Jamaica , Switzerland) for tax reasons but always remained at heart an Englishman.
We then heard (with Big Ben chimes on the piano) the stirring, moving London Pride written during the 1941 Blitz. We then heard the jaunty , bouncy A Bar on the Piccolo Marina with its tongue twisting rhythms .This was followed by the delightful Dance Little Lady Dance with its emphatic rhythms . Amer then performed a powerful captivating solo Gypsy Melody on piano .
Next we jumped to the delicious witty Nina, with its infectious Latin rhythms and tongue twisting lyrics. We were then treated to a provoking, sarcastic and haughty Why Do the Wrong People Travel ? another duet for Amer and Hamilton.
Three classic Coward pieces followed: a breathless Mad Dogs and Englishmen, the witty I’ve Been to A Marvellous Party and the blistering, pleading, eventually furious Don’t Put Your Daughter On The Stage Mrs Worthington.
Amer gave a stellar performance of the rather strange Uncle Harry which was followed by a sad, reflective If Love Were All , which is regarded as autobiographical and is from Coward’s 1929 Bitter Sweet. The final song was a duet, a wistful, romantic version of The Dream is Over.
The audience vociferously cheered and applauded at the end leading to the encore of three Coward songs from his The Girl Who Came to Supper – London, What Ho Mrs Briskett and the music hall like Saturday Night at the Rose and Crown.
We were then thanks by artistic director Melvyn Morrow and given a sneak peek of next week’s show Broadway Babies with the sizzling powerhouse Adele Johnston.
Running time 90 minutes without interval.
I’LL FOLLOW MY SECRET HEART, part of the Cabaret in the Day concert series, took place at the Mosman Art Gallery on the 16th July.
This first concert in this year’s delightful series and included music by Johann Strauss, Franz Lehár and Imre Kalman.
Piano maestro Glenn Amer played and sang fabulously. Amer also played the role of narrator and enjoyed making incisive, witty comments.
We were whisked to Vienna and heard classics such as The Blue Danube,and selections from Die Fledermaus, The Gypsy Baron, The Merry Widow, The Land of Smiles, Countess Maritza, The Gypsy Princess and works by Richard Tauber, Joseph Schmidt and others.
Kicking off the ‘Cabaret in the Day’ season at Mosman Art Gallery was a one off performance of the magnificent A SONG TO SING O , written and directed by Melvyn Morrow and here featuring the splendid talents of Savoy legend Christopher Hamilton playing George Grossmith, accompanied on piano by Jayne Hamilton.
Grossmith was a leading Savoyard comic baritone, ( best known for his ‘patter’ roles ), comedian and writer, composer, actor, and singer. His performing career spanned more than four decades. As a writer and composer, he created 18 comic operas, nearly 100 musical sketches, some 600 songs and piano pieces, three books and both serious and comic pieces for newspapers and magazines. and among others created the roles of Sir Joseph Porter( HMS Pinafore ) , Major General Stanley (The Pirates of Penzance), KoKo ( The Mikado) , and Jack Point ( Yeomen of the Guard) .
The audience is invited in as Mr Peabody, a visiting American journalist, is there to interview Grossmith, and this leads to performances from all his great roles. Grossmith is in his dressing room just before a show .The set includes a wallpapered Chinoiserie like screen and an elegant tea set , plus a hatstand , huge wicker traveling basket and a large vase all containing various props used in the show (for example Bunthorne’s lily). There are witty asides about working in the Savoy Company and with Gilbert and Sullivan, as well as Oscar Wilde amongst others. As well there are some terrific performances of a couple of Grossmith’s own songs– for example the poignant ‘Muddle Headed Porter’ and the rollicking ‘See Me Dance the Polka’ . Grossmith’s own wit also shone in his enchanting performance of ‘French Verbs’ – wickedly delightful.
Hamilton as Grossmith was glorious, warm, with a wicked twinkling eye where appropriate, a mobile expressive face and a terrific voice. The performance was enthralling and he channeled Grossmith with great gusto. Various selections from the much loved Gilbert and Sullivan repertoire are performed starting off with ‘Trial by Jury’ and ‘My Name is John Wellington Wells’ from ‘The Sorcerer’. The tongue twisting, rapid fire ‘patter’ songs are tremendously performed .His Sir Joseph Porter KCB ( ‘ HMS Pinafore ‘ ) was excellent – refined, slightly effete . As Major General Stanley he was breathlessly fabulous. The fiendishly difficult Lord Chancellor’s ‘Nightmare Song’ from ‘Iolanthe’ was thrillingly performed .With swirling cape and a hunchback he became the horrid , testy King Gama ( ‘Princess Ida’ ) who ‘can’t think why’ he isn’t liked. Another famous Grossmith role was Koko from ‘The Mikado’ – his plaintive, compelling performance of ‘Tit Willow’ would have any hard hearted Katisha weeping. As Bunthorne (from ‘Patience’) with a green hat and cravat he is transformed into a languid S shape , narcissistically admiring a lily.
‘A Song to Sing O’ from ‘Yeomen of the Guard’ brought the interview to a close with a magnificent duet with a surprise appearance .
Encore and bravo. Or, as the Pirate King would say to Major-General Stanley, ‘Again’!
Melvyn Morrow’s A SONG TO SING O, running time an hour and ten minutes, played for one night only at the Mosman Gallery on June 30.
The next Cabaret In The Day shows are OUR GLAD on July 14, BROADWAY BARD on July 28 and finally Romance!ROMANCE! on September 1, 2013. All shows start at 3pm. The Mosman Art Gallery is located on the corner of Art Gallery Way and Myahgah Road, Mosman. Phone 99784178
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