The Australian Ballet is in glorious form with this revival of GISELLE. It is the much loved Maina Gielgud version, replacing the much anticipated The Happy Prince that has had to be postponed because of Graeme Murphy’s illness.
GISELLE originally premiered in 1841 and is considered one of the great Romantic ballets , telling the story of madness , deceit and betrayal , vengeful spirits and a love that conquers death.
In this beautifully designed version Peter Farmer’s set and costume designs are mostly in russet colours for Act 1 and then an eerie forest glade for Act 2.
The Orchestra under the inspired baton of Simon Thew was in splendid, luxurious form too playing Adam’s haunting score magnificently.
The large corps de ballet was in excellent form , the crisscrossing, interlinking patterns of the various village dances in Act 1 crisply, precisely performed .The peasant pas de deux ( Aya Watanabe and François-Eloi Lavignac) was a great show stopping interlude. In Act 2 the Willis were menacing and dangerous. Continue reading AUSTRALIAN BALLET PRESENTS GISELLE @ THE SYDNEY OPERA HOUSE