The final Met Series concert for 2014 saw TMO in fine form delivering drama and atmosphere within the structure of works by Mozart, Sibelius and Brahms. The soloist for this evening was violinist Kirsten Williams, accompanied attentively by the orchestra.
Opening the program was the overture to Mozart’s opera ‘The Magic Flute’. Its contrasted sections of solemn and energetic music evoked the colourful layers of this fanciful story well. It was also a suitable prelude to the drama waiting to unfold in the Met Concert program.
In the hands of Kirsten Williams, excerpts from Sibelius’ Violin Concerto showed a mastery of rendering the sprawling melodic lines and constant changes of mood. Her tone was searching and pure in the upper register. There was a pleasing rapport with TMO, which supported with warm tone and consistency of mood alongside the soloist. The hushed anticipation in strings for the opening to the first movement was exquisite. Continue reading MET CONCERT # 4