As they say in the play “it must be the magic of theatre or something”. Indeed it must to bring audiences out to this revisiting of a classic queer work which is run over 2 nights and in one of the smallest venues in town. The hours fly by though, on seraph wings, as director Dino Dimitriadis chips off the period redundancies of ANGELS IN AMERICA without disturbing the density and flights of filmy fabric which bring the age of AIDS to the Old Fitz Theatre.
Premiering in 1991, ANGELS IN AMERICA by Tony Kushner is set in 1985 and hindsight is unkind to the America that was. Is? This production foregrounds current issues which still demand action and due attention paid. Gay men might be on PrEP but infections are rising, Israel and Palestine remain flashpoints, Perestroika somehow gave us Putin and a Republican is again in the White House. Plus, fridge fluorocarbons have less chlorine but denial is not slowing the warmth. Having experienced the nearly 7 hours of this production, I can say that the themes are still relevant but more importantly, the storytelling is exciting, intimate and conceptualised to entertain and engage. It’s an achievement all round. Continue reading ANGELS IN AMERICA: ALOFT WITH THE LOST, EARTHBOUND WITH DESPAIR→
Gender bending rock God iOTA is back in a brand new, sexy as hell rock show that he has directed, and which he has scripted with his long time collaborator Craig Illot.
The award-winning star of international smash-hits Berlin (with Sydney Dance Company ), Smoke & Mirrors, Hedwig and the Angry Inch and The Rocky Horror Show amongst others, iOTA brings his signature rock ‘n’ roll, vaudeville style to his new show.
The somewhat confusing and convoluted plot concerns the story of a young woman, Rachel (Blazey Best), who has a mass of problems and challenges including an unhappy relationship with a fiery-tempered husband played by Ashley Lyons. In order to cope she manufactures a kind of fantasy world to slip into. Continue reading B-Girl @ The Playhouse Sydney Opera House→
With one great shot of a furious Nicholas Papademteriou as the Minister, a copy of the national paper in his hand and with his senior public servant concernedly looking on, photographer Zak Kacmarek tells us the story to Aussie playwright Aidan Fennessy’s THE WAY THINGS WORK.
Fennessy takes us deeply into the world of incompetence, criminal activity and corruption in the public sector which through a public enquiry have come out in the open, causing the usual furore. Continue reading The Way Things Work→
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