This matinee event at the City Recital Hall, Angel Place was the final recital concert in Angela Hewitt’s recent national tour with Musica Viva. Hewitt hailed Musica Viva as world class prior to encores, recognising them as a world leader in tour presentation and support. This fine partnership was matched by exquisite interpretations of Bach and early Beethoven by Hewitt which reinforced her international superstar status.
The programme demonstrated pure balance and symmetry just as successfully as the pianist’s excellent and even command of fugue and counterpoint. Each half of the concert consisted of a substantial Bach Partita with a well-known Beethoven sonata to follow.
The Partita format was a fine vehicle with which to present Angela Hewitt’s consummate and quite legendary Bach interpretative skills. New and existing fans delighted in the fine control, contrasts in character between the dance movements and layers of nuance selected to create a Bach keyboard sound for the piano. This sound never directly imitated the Baroque instruments nor did it drown out the music’s subtleties by using sound options from the modern instrument’s arsenal. Continue reading ANGELA HEWITT PIANO RECITAL @ CITY RECITAL HALL