Tag Archives: Andrew O’Connor

PINCHGUT OPERA : THE LOVES OF APOLLO AND DAFNE

Celebrating twenty years of performances, Pinchgut Opera brings us another superb production directed by Mitchell Butel , gloriously sung and with a lush, exquisite performance by the Orchestra of the Antipodes led by Erin Helyard on chamber organ and harpsichord. The Orchestra was streamlined with Baroque harp intrepidly performed by Hannah Lane, Laura Vaughan on viola da gamba and lirone, and Simon Martyn-Ellis on theorbo. 

This production was filmed at the City Recital Hall in May 2021.

THE LOVES OF APOLLO AND DAFNE, his second opera, was written in 1640 by Francesco Cavalli with lyrics by Giovanni Francesco Busenello .Cavalli moved to Venice, Italy, when a schoolboy and was a pupil of Montiverdi .During the 17th century Cavalli was regarded as a major opera composer who wrote over 30 works,  but his music fell into obscurity in the 18th and 19th centuries until roughly the 1950’s.

This is the third Cavalli opera Pinchgut have presented (after Ormindo in 2009, and then Giasone in 2013). It is still rare to see performances of Cavalli’s operas today.

Under Butel’s direction this performance is presented as set right now, bright, colourful and energetic, with mobile phones, computers etc and giving the work a fascinating completely new ‘ twist’ and appearance making it very relevant to today. The designs by Jeremy Allem (set) , Jeremy Allem  (costumes) and lighting by Damien Cooper are splendid. There are many doublings (even quadrupling) of roles by most of the cast in this fresh, vivid performance.  Continue reading PINCHGUT OPERA : THE LOVES OF APOLLO AND DAFNE

PINCHGUT’S OPERA : MONTEVERDI’S ‘VESPERS’ @ CITY RECITAL HALL

The live audience was ecstatic with thunderous applause for Pinchgut’s magnificent, finely burnished and lushly detailed performance of Monteverdi’s VESPERS. Fortunately you can catch it online at the moment until 1 May, 2021.

Written in 1610, Monteverdi’s VESPERS (Vespro della Beata Vergine ) is now rarely heard. Monteverdi (1567 – 1643) was comfortable with both Baroque and Renaissance music and is regarded as one of the great composers. He wrote music for the church, temporal works and among other things, opera as well. In his Vespers, Monteverdi energetically transformed ‘traditional’ Renaissance polyphony into strikingly advanced styles. 

Musically and vocally the performance was polished, precise and superb, the Orchestra of the Antipodes including some now uncommon Baroque instruments. Hannah Lane  exquisitely played on the harp throughout and there was a theorbo, (Simon Martyn-Ellis ) cornetti (Matthew Manchester and John Foster) and sackbuts (Ros Jorgensen, Nigel Crocker and Brett Page), amongst others. Continue reading PINCHGUT’S OPERA : MONTEVERDI’S ‘VESPERS’ @ CITY RECITAL HALL

PINCHGUT OPERA : A DELICATE FIRE

The film was born out of restrictions imposed on the performing arts by COVID-19 – in particular, the ban on public performances for much of 2020 – and features an all- Australian cast and creative team. It is somewhat startling but oh so exquisite and refined musically with glorious performances of the almost forgotten madrigals of Barbara Strozzi.

Barbara Strozzi was an Italian composer and singer of 17th century Venice who published eight volumes of music during her lifetime. The illegitimate daughter of a noble Venetian poet, who encouraged her to pursue her talents by studying with the acclaimed opera composer Cavalli, Strozzi was one of the few female composers of her time to write under her own name.

The music for A DELICATE FIRE was selected from Strozzi’s Opus 1, her first book of madrigals, published in 1644. The lyrics are by her poet father, Giulio Strozzi and are meditations on the diversity, exaltation, sorrows and delights of love, inspired by a quote from Sappho. Continue reading PINCHGUT OPERA : A DELICATE FIRE

COMING SOON : @HANDEL#SOLOMON @ MARRICKVILLE TOWN HALL

Australia’s most in demand soloists join Leichhardt Espresso Chorus in the wondrous acoustic of Marrickville Town Hall to perform an epic tale of leadership to rival our times.

Performers: Leichhardt Espresso Chorus and Orchestra, Michelle Leonard OAM, Anna Fraser, Brad Cooper, Andrew O’Connor, Morgan Balfour and Nacelle Yeo. Also Simon Ellis on the Wurlitzer Theatre Organ playing the Arrival of the Queen of Sheba.

DATE FOR THE DIARY- 
Sunday 2 July 2017 at 4 pm at Marrickville Town Hall.

Prices:
$50 reserved
$45 unreserved
$40 early bird (available until 18 June 2017)
$30 concession

http://www.espressochorus.com.au

For more about #Solomon by Handel, visit http://www.espressochorus.com.au/
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